
Arts of Perception
The Epistemological Mentality of the Spanish Baroque, 1580-1720
Jeremy Robbins(Author)
Routledge (Publisher)
1st Edition
Published on 14. February 2014
Book
Paperback/Softback
304 pages
978-0-415-86029-1 (ISBN)
Description
Arts of Perception offers a new account of a key period in Spanish history and culture and a fundamental reassessment of its major writers and intellectuals, including Gracian, Quevedo, Calderon, Saavedra Fajardo, Lopez de Vega, and Sor Juana.
Reading these figures in the context of European thought and the new science, and philosophy, the study considers how they developed various 'arts of perception' - complex perceptual strategies designed to overcome and exploit epistemic problems to enable an individual to act effectively in the moral, political, social or religious sphere. The study takes as its subject the distinctive epistemological mentality behind such 'arts of perception'. This mentality was fostered by the creative interaction of scepticism and Stoicism, and found expression in the key concepts ser/parecer and engano/desengano. The work traces the emergence, development, and impact of these concepts on Spanish thought and culture.
As well as offering new interpretations of specific major figures, Arts of Perception offers an interpretation of the mentality of an entire culture as it made the fraught transition to intellectual modernity. As such it ranges over numerous discourses and formative contexts and provides a wealth of new material which will be of use to all those seeking to understand and interpret the literature, culture and thought of Golden Age Spain.
This book was previously published as a special issue of The Bulletin of Spanish Studies.
Reading these figures in the context of European thought and the new science, and philosophy, the study considers how they developed various 'arts of perception' - complex perceptual strategies designed to overcome and exploit epistemic problems to enable an individual to act effectively in the moral, political, social or religious sphere. The study takes as its subject the distinctive epistemological mentality behind such 'arts of perception'. This mentality was fostered by the creative interaction of scepticism and Stoicism, and found expression in the key concepts ser/parecer and engano/desengano. The work traces the emergence, development, and impact of these concepts on Spanish thought and culture.
As well as offering new interpretations of specific major figures, Arts of Perception offers an interpretation of the mentality of an entire culture as it made the fraught transition to intellectual modernity. As such it ranges over numerous discourses and formative contexts and provides a wealth of new material which will be of use to all those seeking to understand and interpret the literature, culture and thought of Golden Age Spain.
This book was previously published as a special issue of The Bulletin of Spanish Studies.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Dimensions
Height: 246 mm
Width: 174 mm
Thickness: 16 mm
Weight
538 gr
ISBN-13
978-0-415-86029-1 (9780415860291)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
05/2013
1st Edition
Routledge
€64.49
Available for download

E-Book
05/2013
1st Edition
Routledge
€64.49
Available for download

Book
11/2006
1st Edition
Routledge
€260.80
Shipment within 15-20 days
Person
Jeremy Robbins
Content
Introduction: The Arts of Perception 1. The Rediscovery of Pyrrhonism 2. Neostoicism, Value Judgement and Moral Perception 3. Politics, Knowledge, and Perception 4. Prudence and the Compass of Deceit 5. The Exploitation of Ignorance 6. Knowledge, Self and Honour 7. The Acclimatization of Scepticism: Scepticism and Stoicism in Antonio Lopez de Vega 8. Baltasar Gracian's El Criticon and the Arts of Perception 9. From Baroque to Pre-Enlightenment: Resolving the Epistemological Crisis. Conclusion