Paisley

Reviews / Votes

"A striking debut collection which evokes the rich culture and history of Rizwan's native Lahore. Themes of belonging, migration and displacement abound, as Rizwan examines the split linguistic self of the migrant: "My voice is the mirror that breaks in Urdu". The patterns of her homeland are ever-present: "in a new country, let us dream of different paisleys". Combining free verse and complex ghazals, this is a powerful exploration of the role of women in Pakistan and beyond." - Poetry Book Society, Winter Bulletin 2017 -- Poetry Book Society "The collection as a whole, however, is a serious instigator of thought. It will certainly appeal to a Western audience so that they can see what integration means to those that that they want to integrate and what kinds of things their ethnic minority brothers and sisters from the Sub-Continent are experiencing and thinking about." Suneel Mehmi, Contemporary Small Press * Contemporary Small Press * "...this young poet is not afraid to do her own bit of undigging. In her title poem, she uses a ghazal form in which every couplet rhymes 'paisley' with 'paisley'. The word is repeated so many times that all shreds of former association disappear in a furious blizzard of repetition. There is fierce energy here, and uncompromising intensity. I see the paisley symbol for the first time in my life. " * Sphinx Reviews * The physical shape (and taste) of language, as well as its abstract resonances, takes on a new significance. This is seen perhaps most clearly in Rizwan's assured use of the ghazal in poems such as 'Urdu/ Hindi' and 'Speech Therapy', where the form lends itself particularly well to Paisley's overarching dialectic. -- Phoebe Walker * Sabotage Reviews *