
The Astaires
Fred & Adele
Kathleen Riley(Author)
Oxford University Press Inc
Published on 24. July 2014
Book
Paperback/Softback
272 pages
978-0-19-935894-6 (ISBN)
Description
Before "Fred and Ginger," there was "Fred and Adele," a show-business partnership and cultural sensation like no other. In our celebrity-saturated era, it's hard to comprehend what a genuine phenomenon these two siblings from Omaha were. At the height of their success in the mid-1920s, the Astaires seemed to define the Jazz Age. They were Gershwin's music in motion, a fascinating pair who wove spellbinding rhythms in song and dance.
In this book, the first comprehensive study of their theatrical career together, Kathleen Riley traces the Astaires' rise to fame from humble midwestern origins and early days as child performers on small-time vaudeville stages (where Fred, fatefully, first donned top hat and tails) to their 1917 debut on Broadway to star billings on both sides of the Atlantic. They became ambassadors of an art form they helped to revolutionize, adored by audiences, feted by royalty, and courted socially by elites everywhere they went. From the start, Adele was the more natural performer, spontaneous, funny, and self-possessed, while Fred had to hone his trademark timing and elegance through endless hours of rehearsal, a disciplined regimen that Adele loathed. Ultimately, Fred's dancing expertise surpassed his sister's, and their paths diverged: Adele married into British aristocracy, and Fred headed for Hollywood.
The Astaires examines in depth the extraordinary story of this great brother-sister team, with full attention to its historical and theatrical context. It is not merely an account of the first part of Fred's long and illustrious career but one with its own significance. Born at the close of the 1800s, Fred and Adele grew up together with the new century, and when they reached superstardom during the interwar years, they shone as an affirmation of life and hope amid a prevailing crisis of faith and identity.
In this book, the first comprehensive study of their theatrical career together, Kathleen Riley traces the Astaires' rise to fame from humble midwestern origins and early days as child performers on small-time vaudeville stages (where Fred, fatefully, first donned top hat and tails) to their 1917 debut on Broadway to star billings on both sides of the Atlantic. They became ambassadors of an art form they helped to revolutionize, adored by audiences, feted by royalty, and courted socially by elites everywhere they went. From the start, Adele was the more natural performer, spontaneous, funny, and self-possessed, while Fred had to hone his trademark timing and elegance through endless hours of rehearsal, a disciplined regimen that Adele loathed. Ultimately, Fred's dancing expertise surpassed his sister's, and their paths diverged: Adele married into British aristocracy, and Fred headed for Hollywood.
The Astaires examines in depth the extraordinary story of this great brother-sister team, with full attention to its historical and theatrical context. It is not merely an account of the first part of Fred's long and illustrious career but one with its own significance. Born at the close of the 1800s, Fred and Adele grew up together with the new century, and when they reached superstardom during the interwar years, they shone as an affirmation of life and hope amid a prevailing crisis of faith and identity.
Reviews / Votes
This new paperback comes highly recommended * Dancing Times *More details
Language
English
Place of publication
New York
United States
Illustrations
50 halftones
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 15 mm
Weight
412 gr
ISBN-13
978-0-19-935894-6 (9780199358946)
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Schweitzer Classification
Other editions
Additional editions

Book
03/2012
1st Edition
Oxford University Press Inc
€23.55
Article exhausted; check for reprint
Previous edition

Book
03/2012
1st Edition
Oxford University Press Inc
€23.55
Article exhausted; check for reprint
Person
Born in Australia and educated at Sydney and Oxford Universities, Kathleen Riley is a classical scholar and modern theater historian. She is the author of Nigel Hawthorne on Stage and The Reception and Performance of Euripides' Herakles: Reasoning Madness. At Oxford in 2008 she convened the first international conference on the art and legacy of Fred Astaire.
Content
List of illustrations ; Foreword by John Mueller ; Acknowledgements ; Preface ; Introduction: Moaning Minnie and Goodtime Charlie ; Chapter 1: Opening the bill ; Chapter 2: Over the top ; Chapter 3: Dancing comedians ; Chapter 4: Nightingales in Berkeley Square ; Chapter 5: Fascinating rhythms ; Chapter 6: The golden calf ; Chapter 7: Frater, ave atque vale ; Chapter 8: By myself ; Chapter 9: After the dance ; Chronologies: ; 1. (a) The shows ; 1. (b) Charity performances ; 2. Other notable events in theatre, 1917-1933 ; Notes ; Bibliography ; Index