Designing the Life of Johnson
The Lyell Lectures in Bibliography, 2001-2
Published on 7. July 2005
Book
Paperback/Softback
206 pages
978-0-19-928483-2 (ISBN)
Description
For over two centuries Boswell's massive biography of Samuel Johnson has been both reverenced and reviled. Yet neither its admirers nor its critics have fully understood how the book was designed to work upon them. Boswell himself is partly to blame: throughout the Life he directs attention away from artistry to industry, from creative choices to dedicated researches. Yet his working manuscript, one of the twentieth century's greatest literary discoveries, tells a much different tale. Designing the Life of Johnson, the first study of its kind, reconstructs Boswell's models and methods by charting this textual labyrinth. It begins by analysing the stages that led to the first edition, goes on to reveal the impact of portrait and theatre-piece upon the structure of the Life, and ends by uncovering the transformation of Johnson from savage into sage. The result is a more subtle, more vital assessment of Boswell the designer - and an enhanced awareness of biography's power to make life into art.
Reviews / Votes
Review from previous edition Bruce Redford's Lyell Lectures are a splendid work, now setting Boswell's Life of Johnson on the very highest grounds of artistic biography. * Royal Stuart Review * Designing the Life of Johnson is an impressive achievement. The availability of the entire working manuscript, and the author's skill in using this manuscript to describe Boswell's complex procedures, make the book the most useful overall study of the Life yet available. * Biography * A winning combination of scholarly strength and subtlety of insight which will make these gracefully written lectures a fitting companion to Redford's edition of the manuscript, and also the inescapable point of departure for anyone who wishes to understand how it was that Boswell designed The Life of Johnson. * Review of English Studies * Redford is always in absolute control of his material: his readings and interpretations are perceptive and incisive, never strained or forced. The result is a wholly persuasive account of the "textual labyrinth" out of which Boswell created his masterpiece. . . . Nobody interested in the supposed contests between ... Boswell's Johnson and Johnson's Johnson, or more generally between biography as history and as poetry, will wish to ignore Bruce Redford's elegant and powerful book. * H. R. Woudhuysen, Times Literary Supplement *More details
Series
Language
English
Place of publication
Oxford
United Kingdom
Target group
Professional and scholarly
Illustrations
8 plates
Dimensions
Height: 215 mm
Width: 139 mm
Thickness: 13 mm
Weight
273 gr
ISBN-13
978-0-19-928483-2 (9780199284832)
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Schweitzer Classification
Other editions
Additional editions
Book
05/2002
Oxford University Press
€154.75
Shipment within 15-20 days
Person
Professor Redford is a literary historian, editor, and critic, with a strong interest in classical studies and the visual arts. He has published essays on topics as diverse as medieval hagiography, rococo portraiture, and the religious poetry of W.H. Auden. During the past decade and a half, his scholarship has centered on eighteenth-century British culture. The Converse of the Pen: Acts of Intimacy in the Eighteenth-Century Familiar Letter (1986) was followed by The Letters of Samuel Johnson (five volumes, 1992-94), Venice and the Grand Tour (1996), and the second volume of Boswell's Life of Johnson: An Edition of the Original Manuscript (1998). In 2001/2002 he delivered the Lyell Lectures in bibliography at Oxford University; these lectures have been published as Designing the "Life of Johnson" (2002).
A past president of the Johnson Society, he has received fellowships from the John Simon Guggenheim Memorial Foundation, All Souls College (Oxford), and the National Gallery of Art, Washington D.C.
A past president of the Johnson Society, he has received fellowships from the John Simon Guggenheim Memorial Foundation, All Souls College (Oxford), and the National Gallery of Art, Washington D.C.
Content
Introduction ; 1. Imprinting Johnson ; 2. Representing Johnson ; 3. Dramatizing Johnson ; 4. Transmitting Johnson ; 5. Taming Johnson ; Select Bibliography