
Eargle's The Microphone Book
From Mono to Stereo to Surround - A Guide to Microphone Design and Application
Focal Press
2nd Edition
Published on 12. April 2004
Book
Paperback/Softback
392 pages
978-0-240-51961-6 (ISBN)
Article exhausted; check for reprint
Description
The Microphone Book is the only guide you will ever need to the latest in microphone technology, application and technique. This new edition features, more on microphone arrays and wireless microphones; a new chapter on classic old models; the latest developments in surround; expanded advice on studio set up, recording and mic selection; improved layout for ease of reference; even more illustrations.
John Eargle provides detailed analysis of the different types of microphones available. He then addresses their application through practical examples of actual recording sessions and studio operations. Surround sound is covered from both a creative and a technical viewpoint.
This classic reference takes the reader into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to such matters as stereo sound staging, perspective, and balance are also covered in detail. Recording and sound reinforcement engineers at all levels of expertise will find The Microphone Book an invaluable resource for learning the 'why' as well as the 'how' of choosing a microphone for any situation.
John Eargle provides detailed analysis of the different types of microphones available. He then addresses their application through practical examples of actual recording sessions and studio operations. Surround sound is covered from both a creative and a technical viewpoint.
This classic reference takes the reader into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to such matters as stereo sound staging, perspective, and balance are also covered in detail. Recording and sound reinforcement engineers at all levels of expertise will find The Microphone Book an invaluable resource for learning the 'why' as well as the 'how' of choosing a microphone for any situation.
Reviews / Votes
"...this is a very interesting book which is well written and copiously illustrated with both graphs and pictures throughout. For anyone involved in using, specifying or manufacturing microphones this will prove an invaluable read." - Lighting and Sound International"Besides being a "must-have? reference source for recording engineers, producers or anybody who desires to better understand and utilize mics, The Microphone Book is an engaging read from its first chapter on microphone history to the 21st chapter and Eargle's unique take on classic microphones and their influence on the art and science of recording...The Microphone Book is unique in its balance of broad and meticulously detailed practical information." - Music Connection magazine
Reviews for the previous edition:
"John has brought his successful experience in classical and other music recording to the book's many pages, and one can find the best microphone arrangements for nearly every conceivable situation and guides to proceed for the more unusual ones." - The American Organist
"John Eargle has prepared another useful book for audio system contractors, engineers, designers and enthusiasts.?
Sound & Communications magazine
"Highly recommended for everyone who wants to know more. Read it.?
Amazon.com customer review
"The Microphone Book will save you time and money, even if you only ever buy one microphone to use in a home studio. If you do live sound, record on location, or are kitting out a slightly more ambitious project studio, then this book will be invaluable. It takes you far further than the 'microphone' sections of general guides to studio recording.?
Amazon.co.uk customer review
More details
Series
Edition
2nd New edition
Language
English
Place of publication
Oxford
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Recording, sound reinforcement and system design engineers; television, film, and radio engineers. <BR id="CRLF">Suitable for engineers at all levels of expertise, applicable for both studio and location work
Edition type
New edition
Dimensions
Height: 229 mm
Width: 189 mm
Weight
862 gr
ISBN-13
978-0-240-51961-6 (9780240519616)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
New editions

Ray Rayburn
Eargle's The Microphone Book
From Mono to Stereo to Surround - A Guide to Microphone Design and Application
Book
10/2011
3rd Edition
Focal Press
€96.10
Shipment within 15-20 days
Previous edition

Ray A. Rayburn | John Eargle
The Microphone Book
Book
07/2001
Focal Press
€33.41
Article exhausted; check for reprint
Persons
Ray A. Rayburn, Senior Consultant with K2 Audio LLC. Member of the AES Standards Working Group on Microphones, and Chair of the Standards sub-committee on Interconnections. Recording engineer. Lifetime interest in microphone use, testing, and design.
John Eargle holds multiple degrees in music and engineering, and has consulted extensively on electroacoustical product development. He is President of JME Consulting Corporation and author of The Handbook for Recording Engineering, The Loudspeaker Handbook, Electroacoustical Reference Data and others. Among the many artists he has recorded are the London Symphony, the Los Angeles Chamber Orchestra, Joe Williams, Rush Brown and Etta James. In February 2001 he received a Grammy award for Best Classical Engineering. He is a fellow, honorary member and past president of the Audio Engineering Society. He has served on the faculty of the Aspen Audio Recording Institute since 1980. He is a member of the National Academy of Recording Arts and Sciences and the Academy of Motion Picture Arts and Sciences.
John Eargle holds multiple degrees in music and engineering, and has consulted extensively on electroacoustical product development. He is President of JME Consulting Corporation and author of The Handbook for Recording Engineering, The Loudspeaker Handbook, Electroacoustical Reference Data and others. Among the many artists he has recorded are the London Symphony, the Los Angeles Chamber Orchestra, Joe Williams, Rush Brown and Etta James. In February 2001 he received a Grammy award for Best Classical Engineering. He is a fellow, honorary member and past president of the Audio Engineering Society. He has served on the faculty of the Aspen Audio Recording Institute since 1980. He is a member of the National Academy of Recording Arts and Sciences and the Academy of Motion Picture Arts and Sciences.
Author
Senior Consultant with K2 Audio LLC. Member of the AES Standards Working Group on Microphones, and Chair of the Standards sub-committee on Interconnections.
Content
A Short History of the Microphone; Basic Sound Transmission and Operational Forces on Microphones; The Pressure Microphone; The Pressure Gradient Microphone; First-Order Directional Microphones; High-Directionality Microphones; Microphone Measurements, Standards, and Specifications; Electrical Considerations and Electronic Interface; Overview of Wireless Microphone Technology; Microphone Accessories; Basic Stereophonic Techniques; Stereo Microphones; Classical Stereo; Recording Techniques and Practice; Studio Recording Techniques; Surround Sound Microphone Technology;
Surround Recording Case Studies; A Survey of Microphones in Broadcast and Communications; Fundamentals of Speech and Music Reinforcement; Overview of Microphone Arrays and Adaptive Systems; Care and Maintenance of Microphones; Classic Microphones: The Author's View
Surround Recording Case Studies; A Survey of Microphones in Broadcast and Communications; Fundamentals of Speech and Music Reinforcement; Overview of Microphone Arrays and Adaptive Systems; Care and Maintenance of Microphones; Classic Microphones: The Author's View