
Surviving Images
Cinema, War, and Cultural Memory in the Middle East
Kamran Rastegar(Author)
Oxford University Press Inc
Published on 14. May 2015
Book
Hardback
248 pages
978-0-19-939016-8 (ISBN)
Description
Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts. This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events. Social trauma thus sets out a productive process of historical interpretation, and cultural texts such as cinematic works both illuminate and contribute to this process. Through these discussions, Surviving Images illustrates cinema's productive role in contributing to the changing dynamics of cultural memory of war and social conflict in the modern world.
Reviews / Votes
"A significant contribution to postcolonial scholarship, trauma studies, and cinema studies, Rastegar's book is likely to become a major text in the field. Highly recommended." --CHOICE"While providing an expansive framework to read trauma production in twentieth-century cinema of the Middle East, Surviving Images looks to the future by pointing to the emergence of a new era of trauma production, one that will enchant us yet destabilize the very foundation of cinematic practices." --Humanities and Social Sciences Online
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Language
English
Place of publication
New York
United States
Target group
College/higher education
Illustrations
62 halftones
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 18 mm
Weight
540 gr
ISBN-13
978-0-19-939016-8 (9780199390168)
Schweitzer Classification
Other editions
Additional editions

E-Book
04/2015
1st Edition
OUP eBook
€27.49
Available for download

Rastegar Kamran | Kamran Rastegar
Surviving Images: Cinema, War, and Cultural Memory in the Middle East
Cinema, War, and Cultural Memory in the Middle East
E-Book
01/2015
1st Edition
Oxford University Press, USA
€27.49
Available for download
Person
Kamran Rastegar is Associate Professor of Arabic Literature and Culture at Tufts University.
Author
Associate Professor of Arabic Literature and CultureAssociate Professor of Arabic Literature and Culture, Tufts University
Content
Introduction ; Chapter 1. Productive traumas: Cinema, social conflict, cultural memory ; Chapter 2. Colonialism, memory, masculinity: The Four Feathers and the redemption of empire ; Chapter 3. Freedom, then silence: Memory and the women of Egyptian and Tunisian independence ; Chapter 4. The time that is lost: Cinematic aporias of Palestine ; Chapter 5. Sacred defenses: Treacherous memory in post-war Iran ; Chapter 6. Wanting to see: Wartime witnessing and post-war haunting in Lebanese cinema ; Chapter 7. "Sawwaru Waynkum" Human rights and perpetrator traumas in Waltz with Bashir ; Conclusion. Multitudinous memory: Revolutions and post-cinematic cultural memory