
Barbie's Queer Accessories
Erica Rand(Author)
Duke University Press
Published on 20. April 1995
Book
Paperback/Softback
224 pages
978-0-8223-1620-6 (ISBN)
Description
She's skinny, white, and blond. She's Barbie-an icon of femininity to generations of American girls. She's also multiethnic and straight-or so says Mattel, Barbie's manufacturer. But, as Barbie's Queer Accessories demonstrates, many girls do things with Barbie never seen in any commercial. Erica Rand looks at the corporate marketing strategies used to create Barbie's versatile (She's a rapper! She's an astronaut! She's a bride!) but nonetheless premolded and still predominantly white image. Rand weighs the values Mattel seeks to embody in Barbie-evident, for example, in her improbably thin waist and her heterosexual partner-against the naked, dyked out, transgendered, and trashed versions favored by many juvenile owners and adult collectors of the doll.
Rand begins by focusing on the production and marketing of Barbie, starting in 1959, including Mattel's numerous tie-ins and spin-offs. These variations, which include the much-promoted multiethnic Barbies and the controversial Earring Magic Ken, helped make the doll one of the most profitable toys on the market. In lively chapters based on extensive interviews, the author discusses adult testimony from both Barbie "survivors" and enthusiasts and explores how memories of the doll fit into women's lives. Finally, Rand looks at cultural reappropriations of Barbie by artists, collectors, and especially lesbians and gay men, and considers resistance to Barbie as a form of social and political activism.
Illustrated with photographs of various interpretations and alterations of Barbie, this book encompasses both Barbie glorification and abjection as it testifies to the irrefutably compelling qualities of this bestselling toy. Anyone who has played with Barbie-or, more importantly, thought or worried about playing with Barbie-will find this book fascinating.
Rand begins by focusing on the production and marketing of Barbie, starting in 1959, including Mattel's numerous tie-ins and spin-offs. These variations, which include the much-promoted multiethnic Barbies and the controversial Earring Magic Ken, helped make the doll one of the most profitable toys on the market. In lively chapters based on extensive interviews, the author discusses adult testimony from both Barbie "survivors" and enthusiasts and explores how memories of the doll fit into women's lives. Finally, Rand looks at cultural reappropriations of Barbie by artists, collectors, and especially lesbians and gay men, and considers resistance to Barbie as a form of social and political activism.
Illustrated with photographs of various interpretations and alterations of Barbie, this book encompasses both Barbie glorification and abjection as it testifies to the irrefutably compelling qualities of this bestselling toy. Anyone who has played with Barbie-or, more importantly, thought or worried about playing with Barbie-will find this book fascinating.
Reviews / Votes
"Over the course of the 1980s, Barbie has become an artist's model, a collector's 'fetish,' and, as Erica Rand shows us, an object of collective and personal memory. Barbie's Queer Accessories will help to open up important issues about queer readings in relationship to one of the most feminine coded objects of contemporary culture."-Lynn Spigel, author of Make Room for TV: Television and the Family Ideal in Postwar AmericaMore details
Series
Language
English
Place of publication
North Carolina
United States
Target group
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
20 b&w photographs
Dimensions
Height: 233 mm
Width: 153 mm
Thickness: 17 mm
Weight
386 gr
ISBN-13
978-0-8223-1620-6 (9780822316206)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Rand Erica Rand
Barbie's Queer Accessories
E-Book
04/1995
1st Edition
Duke University Press Books
€198.99
Available for download
Person
Erica Rand is Assistant Professor of Art History at Bates College.