
The Monarch of Blood
Love Is Just Another Form of Violence
Abdul Quddus(Author)
The Monarch of Blood Duology (Publisher)
Published on 14. February 2026
Book
Paperback/Softback
66 pages
979-8-233-38938-2 (ISBN)
Description
THE MONARCH OF BLOOD
Love Is Just Another Form of Violence
A dark erotic romance novella of power, obsession, and dangerous loyalty.
Cain Holt enters the MMA world like a storm-violent, feared, and unstoppable.
He isn't just a fighter.
He's a predator.
When Valentina Hayes, the ruthless queen of a global combat empire, notices him, she doesn't see a champion.
She sees a weapon.
What begins as a contract turns into something far more dangerous.
Cain wants someone who sees the darkness in him-and doesn't flinch.
Valentina wants control, dominance, and absolute loyalty.
Their connection is immediate.
Raw. Volatile. Unforgiving.
This is not a soft love story.
This is:Morally dark protagonists
Obsession over affection
Power-play romance
Violence as intimacy
Loyalty over love
No redemption arc
As rivals close in-fighters, board members, and sponsors who fear what they've created-Cain and Valentina don't fracture.
They align.
Their nights are rituals of dominance and surrender.
Their days are war.
Two predators.
One empire.
A love written in dominance, blood, and fire.
Author's Note
The Monarch of Blood is a fast-paced dark romance novella and the first book in a closed duology.
It contains graphic violence, explicit erotic content, toxic power dynamics, and morally dark characters.
Intended for adult readers only (18+).
Recommended for readers who enjoy obsession-driven dark romance in the vein of Penelope Douglas, Danielle Lori, and Ana Huang.
More details
Series
Language
English
Publishing group
Abdul Quddus
Dimensions
Height: 216 mm
Width: 140 mm
Thickness: 5 mm
Weight
97 gr
ISBN-13
979-8-233-38938-2 (9798233389382)
Schweitzer Classification
Person
Abdul Quddus writes psychologically driven dark fiction exploring power, obsession, and moral decay.
His stories are cinematic and grounded in emotional realism, following damaged narrators caught in spirals of guilt, control, and isolation - where the villain may speak in the first person and truth rarely arrives clean.
Influenced by film, psychology, and mythology, his work examines how minds fracture under pressure and how systems - personal, social, or mythic - replace morality with structure.
He previously ran Cinema Odyssey, a film-focused blog now serving as his author journal and update space.
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