
Livestreaming
An Aesthetics and Ethics of Technical Encounter
EL Putnam(Author)
University of Minnesota Press
Published on 9. January 2024
Book
Paperback/Softback
98 pages
978-1-5179-1709-8 (ISBN)
Description
An inquiry into how livestreaming can help us meaningfully connect
Livestreaming is ubiquitous in our Covid-19-inflected era. In this book, EL Putnam takes up the implications of this technology, arguing that livestreamed internet broadcasts perform aesthetic and ethical encounters that invite distinctive means of relating to others. Treating humans and technologies as inherently relational, Putnam considers how livestreaming constitutes new patterns of being together that are complex, ambivalent, and transformative. Understood in such a way, we see how livestreaming exceeds quantifying and calculating metrics, challenges emphasis on content generation, and introduces an entirely new-and dynamic-means of social engagement.
Livestreaming is ubiquitous in our Covid-19-inflected era. In this book, EL Putnam takes up the implications of this technology, arguing that livestreamed internet broadcasts perform aesthetic and ethical encounters that invite distinctive means of relating to others. Treating humans and technologies as inherently relational, Putnam considers how livestreaming constitutes new patterns of being together that are complex, ambivalent, and transformative. Understood in such a way, we see how livestreaming exceeds quantifying and calculating metrics, challenges emphasis on content generation, and introduces an entirely new-and dynamic-means of social engagement.
More details
Series
Language
English
Place of publication
Minnesota
United States
Target group
Professional and scholarly
Dimensions
Height: 178 mm
Width: 127 mm
Thickness: 5 mm
Weight
113 gr
ISBN-13
978-1-5179-1709-8 (9781517917098)
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Schweitzer Classification
Person
EL Putnam is an artist-philosopher working in performance art and digital technologies. She is assistant professor of digital media at Maynooth University in Ireland and author of The Maternal, Digital Subjectivity, and the Aesthetics of Interruption.