The Oval Window

J.H. Prynne is Britain's leading late Modernist poet. His Poems (1982) collected all the work he wanted to keep in print, beginning with Kitchen Poems (1968). An expanded and updated version was published by Bloodaxe Books with Fremantle Arts Centre Press in 1999 as Poems, with a second, expanded edition in 2005. The third edition of Poems (Bloodaxe Books, 2015) includes the complete texts of his later work: Refuse Collection (2004), To Pollen (2006), Streak---Willing---Entourage---Artesian (2009), Sub Songs (2010), Kazoo Dreamboats; or, On What There Is (2011), and Al-Dente (2014), all previously uncollected or available in limited editions, as well as a group of previously unpublished poems. Prynne has published a wide range of critical and academic prose, including works on Saussure, Wordsworth, Shakespeare. His essay on New Songs from a Jade Terrace, an anthology of early Chinese love poetry, was included in the second edition of the book from Penguin 1982. He has written poetry in classical Chinese under the name Pu Ling-en. His 1969 collection The White Stones - central to his poetics - was reissued in 2016 by New York Review Books with an introduction by Peter Gizzi. An annotated, illustrated edition of his 1983 collection The Oval Window, edited by N.H. Reeve and Richard Kerridge, was published by Bloodaxe in 2018. Prynne is a Life Fellow of Gonville and Caius College, Cambridge. In 2005 he retired from his posts teaching English Literature as a Lecturer and University Reader in English Poetry for the University of Cambridge and as Director of Studies in English for Gonville and Caius College; he retired as Librarian of the College in 2006.

N.H. Reeve was Professor of English at Swansea University. His books included The Novels of Rex Warner (Macmillan 1987), Reading Late Lawrence (Palgrave, 2003), Elizabeth Taylor (Northcote House, 2008), and with Richard Kerridge, Nearly Too Much: The Poetry of J.H. Prynne (Liverpool University Press, 1996), together with many articles and essays on 19th and 20th century subjects. He has edited three volumes for the Cambridge Lawrence Edition, Introductions and Reviews, The Vicar's Garden and Other Stories, and Quetzalcoatl. He recently completed an edition of James's The Jolly Corner and Other Tales for the Cambridge Henry James Edition, and was preparing the volume of Wessex Tales for the Cambridge Thomas Hardy Edition. His and Richard Kerridge's new annotated edition of J.H. Prynne's The Oval Window (first published in 1983) was published by Bloodaxe on 29 March 2018. He died three days later on Easter Sunday.

Richard Kerridge is a nature writer and ecocritic. His nature writing memoir, Cold Blood: Adventures with Reptiles and Amphibians, was published in 2014 and adapted as a BBC Radio 4 Book of the Week. He is co-author of Nearly Too Much: The Poetry of J. H. Prynne and The Face of the Earth: Natural Landscapes, Science and Culture, co-editor of Writing the Environment, and the author of ecocritical essays on topics ranging from Shakespeare and Thomas Hardy to present-day fiction, poetry, nature writing and film. His nature writing has been published in BBC Wildlife, Poetry Review and Granta Online. He was awarded the 2012 Roger Deakin Prize by the Society of Authors, and has twice received the BBC Wildlife Award for Nature Writing. At Bath Spa University, he leads the MA in Creative Writing. His and N.H. Reeve's new annotated edition of J.H. Prynne's The Oval Window (first published in 1983) was published by Bloodaxe in 2018.