
The Captive
Marcel Proust(Author)
Adam Watt(Editor)
Oxford University Press
Will be published approx. on 12. November 2026
Book
Paperback/Softback
464 pages
978-0-19-286931-9 (ISBN)
Description
'Jealousy ... is a demon that can't be exorcized, always reincarnated in new forms'
The fifth volume of Proust's In Search of Lost Time focuses principally on the protagonist's relationship with Albertine during their cohabitation in Paris. However, The Captive is no conventional love story. Proximity and intimacy breed anxiety and suffering on account of the protagonist's jealousy. His wildly active mind weighs and appraises Albertine's every word. Is she lying to conceal infidelities or past indiscretions, or plotting her departure to indulge in lesbian affairs? The book carries echoes of Swann's affair with Odette narrated in the novel's first volume and offers an anatomy of love as 'mutual torture'. The societal evolution of Belle Epoque Paris remains the backcloth to the volume's dramas, as the Verdurins' social rise continues and the Baron de Charlus is unceremoniously brought low in their salon.
The Captive is an intense work, unsettling in how it draws us into the protagonist's thoughts and, on occasion, implicates us in his cruelty. Yet it also, insistently, provides glimpses of the promise of art, the possibility it offers to lift us into a dimension beyond the stress and suffering of the here and now.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
The fifth volume of Proust's In Search of Lost Time focuses principally on the protagonist's relationship with Albertine during their cohabitation in Paris. However, The Captive is no conventional love story. Proximity and intimacy breed anxiety and suffering on account of the protagonist's jealousy. His wildly active mind weighs and appraises Albertine's every word. Is she lying to conceal infidelities or past indiscretions, or plotting her departure to indulge in lesbian affairs? The book carries echoes of Swann's affair with Odette narrated in the novel's first volume and offers an anatomy of love as 'mutual torture'. The societal evolution of Belle Epoque Paris remains the backcloth to the volume's dramas, as the Verdurins' social rise continues and the Baron de Charlus is unceremoniously brought low in their salon.
The Captive is an intense work, unsettling in how it draws us into the protagonist's thoughts and, on occasion, implicates us in his cruelty. Yet it also, insistently, provides glimpses of the promise of art, the possibility it offers to lift us into a dimension beyond the stress and suffering of the here and now.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
More details
Series
Language
English
Place of publication
Oxford
United Kingdom
Dimensions
Height: 196 mm
Width: 129 mm
ISBN-13
978-0-19-286931-9 (9780192869319)
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Schweitzer Classification
Persons
Andrew Rothwell is Emeritus Professor of French and Translation Studies at Swansea University. His translations from the French include poetry by Bernard Noel, Jean-Michel Maulpoix, and Jacques Dupin, novels by Bruno Dumont, and essays by Francis Jacques and Jacques Derrida. He has previously translated two novels by Emile Zola for Oxford World's Classics, Therese Raquin and The Bright Side of Life (La Joie de vivre).
Elisabeth Ladenson teaches at Columbia University. She is the author of Proust's Lesbianism and Dirt for Art's Sake: Books on Trial from Madame Bovary to Lolita.
Adam Watt is Professor of French & Comparative Literature at the University of Exeter. His books include Reading in Proust's A la recherche: le delire de la lecture (2009), The Cambridge Introduction to Marcel Proust (2011), a critical biography of Proust (2013); and, as editor, Marcel Proust in Context (2013) and The Cambridge History of the Novel in French (2021). His edition of Alain-Fournier's The Lost Domain (Le Grand Meaulnes) appeared in 2025.
Adam Watt is Professor of French & Comparative Literature at the University of Exeter, where he is Deputy Pro-Vice-Chancellor of the Faculty of Humanities, Arts and Social Sciences. His books include Reading in Proust's A la recherche: le delire de la lecture (2009), The Cambridge Introduction to Marcel Proust (2011), a critical biography of Proust (2013); and, as editor, Marcel Proust in Context (2013) and The Cambridge History of the Novel in French (2021). His edition of Alain-Fournier's The Lost Domain (Le Grand Meaulnes) appeared in 2025.
Brian Nelson is an Emeritus Professor at Monash University and a Fellow of the Australian Academy of the Humanities. His publications include Zola: A Very Short Introduction, The Cambridge Introduction to French Literature, The Cambridge Companion to Zola, Zola and the Bourgeoisie, and translations of Zola's The Assommoir, His Excellency Eugene Rougon, Earth (with Julie Rose), The Fortune of the Rougons, The Belly of Paris, The Kill, Pot Luck and The Ladies' Paradise. He has also translated The Swann Way by Marcel Proust. He was awarded the New South Wales Premier's Prize for Translation in 2015.
Elisabeth Ladenson teaches at Columbia University. She is the author of Proust's Lesbianism and Dirt for Art's Sake: Books on Trial from Madame Bovary to Lolita.
Adam Watt is Professor of French & Comparative Literature at the University of Exeter. His books include Reading in Proust's A la recherche: le delire de la lecture (2009), The Cambridge Introduction to Marcel Proust (2011), a critical biography of Proust (2013); and, as editor, Marcel Proust in Context (2013) and The Cambridge History of the Novel in French (2021). His edition of Alain-Fournier's The Lost Domain (Le Grand Meaulnes) appeared in 2025.
Adam Watt is Professor of French & Comparative Literature at the University of Exeter, where he is Deputy Pro-Vice-Chancellor of the Faculty of Humanities, Arts and Social Sciences. His books include Reading in Proust's A la recherche: le delire de la lecture (2009), The Cambridge Introduction to Marcel Proust (2011), a critical biography of Proust (2013); and, as editor, Marcel Proust in Context (2013) and The Cambridge History of the Novel in French (2021). His edition of Alain-Fournier's The Lost Domain (Le Grand Meaulnes) appeared in 2025.
Brian Nelson is an Emeritus Professor at Monash University and a Fellow of the Australian Academy of the Humanities. His publications include Zola: A Very Short Introduction, The Cambridge Introduction to French Literature, The Cambridge Companion to Zola, Zola and the Bourgeoisie, and translations of Zola's The Assommoir, His Excellency Eugene Rougon, Earth (with Julie Rose), The Fortune of the Rougons, The Belly of Paris, The Kill, Pot Luck and The Ladies' Paradise. He has also translated The Swann Way by Marcel Proust. He was awarded the New South Wales Premier's Prize for Translation in 2015.
Author
Editor
Professor of French & Comparative LiteratureProfessor of French & Comparative Literature, University of Exeter
Introduction
Professor of French & Comparative LiteratureProfessor of French & Comparative Literature, Columbia University
General editor
Emeritus ProfessorEmeritus Professor, Monash University
Translation
Emeritus Professor of French and Translation StudiesEmeritus Professor of French and Translation Studies, Swansea University
Content
General Editors' Preface Introduction Translator's Note Select Bibliography A Chronology of Marcel Proust THE CAPTIVE Explanatory Notes