Storyboarding
A Critical History
Published on 8. October 2015
Book
Hardback
X, 214 pages
978-1-137-02759-7 (ISBN)
Description
This study provides the first book-length critical history of storyboarding, from the birth of cinema to the present day and beyond. It discusses the role of storyboarding in key films including Gone with the Wind , Psycho and The Empire Strikes Back , and is illustrated with a wide range of images.
Reviews / Votes
"Storyboarding: a critical history is an important, timely and valuable contribution to a neglected field of scholarly study, not only for the selective case studies, but also for its general introduction to the field." (Pascal Lefèvre, Historical Journal of Film, Radio and Television, Issue 1, December, 2016)More details
Series
Edition
2015 ed.
Language
English
Place of publication
London
United Kingdom
Target group
Professional and scholarly
Product notice
sewn/stitched
Cloth over boards
With dust jacket
Illustrations
33 s/w Abbildungen
X, 214 p. 33 illus.
Dimensions
Height: 223 mm
Width: 141 mm
Thickness: 20 mm
Weight
411 gr
ISBN-13
978-1-137-02759-7 (9781137027597)
DOI
10.1057/9781137027603
Schweitzer Classification
Other editions
Additional editions
Book
02/2018
Palgrave Macmillan
€149.79
Shipment within 15-20 days
E-Book
10/2015
1st Edition
Palgrave Macmillan
€139.09
Available for download
Persons
Chris Pallant is Senior Lecturer in Film Studies at Canterbury Christ Church University, UK. He is the author of Demystifying Disney: A History of Disney Feature Animation (2011), the editor of Animated Landscapes: History, Form and Function (2015), and currently serves as Vice President for the Society for Animation Studies.
Steven Price is Reader in English Literature at Bangor University, UK. He is the author of A History of the Screenplay (2013) and The Screenplay: Authorship, Theory and Criticism (2010), and is currently editor of the Journal of Screenwriting.
Steven Price is Reader in English Literature at Bangor University, UK. He is the author of A History of the Screenplay (2013) and The Screenplay: Authorship, Theory and Criticism (2010), and is currently editor of the Journal of Screenwriting.
Content
List of Figures Introduction 1. The Prehistory of Storyboarding 2. Storyboarding at Disney 3. William Cameron Menzies, Alice in Wonderland, and Gone with the Wind 4. Storyboarding, Spectacle and Sequence in Narrative Cinema 5. Hitchcock and Storyboarding 6. Constructing the Spielberg-Lucas-Coppola Cinema of Effects 7. Storyboarding in the Digital Age Conclusion Bibliography Filmography Index