Creativity, Innovation and the Cultural Economy
1st Edition
Published on 17. August 2011
Book
Paperback/Softback
290 pages
978-0-415-69450-6 (ISBN)
Description
This collection brings together international experts from different continents to examine creativity and innovation in the cultural economy. In doing so, the collection provides a unique contemporary resource for researchers and advanced students. As a whole, the collection addresses creativity and innovation in a broad organizational field of knowledge relationships and transactions. In considering key issues and debates from across this developing arena of the global knowledge economy, the collection pursues an interdisciplinary approach that encompasses Management, Geography, Economics, Sociology and Cultural Studies.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Illustrations
8 s/w Tabellen, 9 s/w Zeichnungen
8 Tables, black and white; 9 Line drawings, black and white
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 17 mm
Weight
468 gr
ISBN-13
978-0-415-69450-6 (9780415694506)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Andy C. Pratt | Paul Jeffcutt
Creativity, Innovation and the Cultural Economy
E-Book
03/2009
1st Edition
Routledge
€126.49
Available for download
Andy C. Pratt | Paul Jeffcutt
Creativity, Innovation and the Cultural Economy
E-Book
03/2009
Routledge
€64.49
Available for download
Andy C. Pratt | Paul Jeffcutt
Creativity, Innovation and the Cultural Economy
E-Book
03/2009
Routledge
€64.49
Available for download
Andy C. Pratt | Paul Jeffcutt
Creativity, Innovation and the Cultural Economy
Book
03/2009
1st Edition
Routledge
€252.40
Shipment within 15-20 days
Persons
Andy C. Pratt has been researching and writing about the cultural and creative economy for more than a decade. He has advised policy makers at urban, national and international levels: most recently UNCTAD and UNESCO. Andy is a Reader in Urban Cultural Economy in the Department of Geography and Environment, and Director of the Urban Research Centre at the London School of Economics.
Paul Jeffcutt is Professor of Management Knowledge and the founding Director of Queen's University's interdisciplinary Centre for Creative Industry. He is a published poet and has been elected to the Academy of Social Sciences (AcSS) and elected Fellow of the Royal Society of Arts, (FRSA).
Paul Jeffcutt is Professor of Management Knowledge and the founding Director of Queen's University's interdisciplinary Centre for Creative Industry. He is a published poet and has been elected to the Academy of Social Sciences (AcSS) and elected Fellow of the Royal Society of Arts, (FRSA).
Content
1.Introduction Andy C Pratt and Paul Jeffcutt 2.Advertising: a. Relocating Creativity in Advertising: From Creativity versus Strategy, to Creative Strategy, and Strategic Creativity? Chris Bilton b. Provincial Parvenus: the Subaltern Sensibility of London Advertising creatives Sean Nixon 3.Music: a. Digitalisation, Music and Copyright David Hesmondhalgh b. On music as a Creative Industry Simon Frith, Martin Cloonan and John Williamson 4. Film and TV: a. Creativity in Context: Content, Cost, Chance, and Collection in the Organization of the Film Industry Mark Lorenzen b. The Governance of Innovation in the Film and Television Industry: a case study of London, UK Andy C Pratt & Galina Gornostaeva 5. New Media: a. Cultural Production in the Transnational City. A Study of New Media in Vancouver Tom Hutton b. Creative Biographies in New Media: Social Innovation in Web work Rosalind Gill 6. Design: a. Situating the Design Sector: Insights from the Case of Montreal, Canada. Debborah Leslie and Norma Rantisi b. Creativity and Innovation in the Scandinavian Design Industry Dominic Power 7. Museums/Visual Arts/Performance: a. Museums, Galleries and the Visual arts Sara Selwood b. Does Hamlet have to be Naked? Art between Tradition and Innovation in German Theatres Doris Eikhof 8. Conclusion Andy C Pratt and Paul Jeffcutt