
Colonial Intellectual Property
The Case of Congo
Veronique Pouillard(Author)
Routledge (Publisher)
1st Edition
Will be published approx. on 14. September 2026
Book
Hardback
264 pages
978-1-041-15308-5 (ISBN)
Description
Colonial Intellectual Property: The Case of the Congo examines the implementation of the Belgian system of intellectual property in the Congo. For the colonized people, some realms of colonial intellectual property such as patents remained closed for a long time, and other domains opened possibilities for participation, such as copyrights. Based on research in unpublished archives in the Democratic Republic of the Congo and in Belgium, this book is the first to trace the history of intellectual property in the Congo, following a chronological and thematic structure.
The first chapter focuses on the implementation of the patent system in colonial Congo and examines the activity of international entrepreneurs who considered patent-taking as an investment in a coercive colonial regime. Chapter two turns to trademarks, and examines both the sociology of entrepreneurs, and the use of stereotypes in brand images. Chapter three further examines the issue of geographical indications of origins, as well as design registration and the place of the commons. Copyrights are the main theme of chapter four. During the postwar era, a group of Congolese musicians exercised their rights in the management of their intellectual property dues. They worked in partnership with the Kinshasa branch of a Belgian collective management society, until they founded in 1959 the SACO, Societe des Auteurs congolais. Chapter 5 then turns to the decolonization, during which the Democratic Republic of the Congo became an independent voice in the international associations for intellectual property.
This book will appeal to all those interested in the history of colonialism in Africa.
The first chapter focuses on the implementation of the patent system in colonial Congo and examines the activity of international entrepreneurs who considered patent-taking as an investment in a coercive colonial regime. Chapter two turns to trademarks, and examines both the sociology of entrepreneurs, and the use of stereotypes in brand images. Chapter three further examines the issue of geographical indications of origins, as well as design registration and the place of the commons. Copyrights are the main theme of chapter four. During the postwar era, a group of Congolese musicians exercised their rights in the management of their intellectual property dues. They worked in partnership with the Kinshasa branch of a Belgian collective management society, until they founded in 1959 the SACO, Societe des Auteurs congolais. Chapter 5 then turns to the decolonization, during which the Democratic Republic of the Congo became an independent voice in the international associations for intellectual property.
This book will appeal to all those interested in the history of colonialism in Africa.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
Professional and scholarly
Academic
Illustrations
12 s/w Abbildungen, 12 s/w Photographien bzw. Rasterbilder
12 Halftones, black and white; 12 Illustrations, black and white
Dimensions
Height: 234 mm
Width: 156 mm
ISBN-13
978-1-041-15308-5 (9781041153085)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Veronique Pouillard is Professor of International History at the Department of Archeology, Conservation and History, University of Oslo. She is working on firms and innovation through history. She has published Paris to New York. The Transatlantic Fashion Industry in the Twentieth Century (2021). Her articles have been published among other journals in Business History, Journalism Studies, New Global Studies, and Resources Policy.
Content
Introduction
Chapter 1
Patents during and after the rubber regime: The beginnings of intellectual property in colonial Congo (1880s-1940s)
Chapter 2
Made in Congo? Trademarks and geographical indications in colonial Congo (1880s-1940s)
Chapter 3
Crafts, customs, and commons in the Congo during the interwar period (1910s-1940s)
Chapter 4
Copyright and music during the last decade of colonial Congo (1948 to the 1960s)
Chapter 5
Toward the postcolony (1960s to the 1970s)
Conclusion
Chapter 1
Patents during and after the rubber regime: The beginnings of intellectual property in colonial Congo (1880s-1940s)
Chapter 2
Made in Congo? Trademarks and geographical indications in colonial Congo (1880s-1940s)
Chapter 3
Crafts, customs, and commons in the Congo during the interwar period (1910s-1940s)
Chapter 4
Copyright and music during the last decade of colonial Congo (1948 to the 1960s)
Chapter 5
Toward the postcolony (1960s to the 1970s)
Conclusion