The Wire
Urban Decay and American Television
Published on 10. February 2010
Book
Hardback
288 pages
978-0-8264-2345-0 (ISBN)
Description
This is a brilliant collection of essays on a show that has taken the art of television drama to new heights. "The Wire" is about survival, about the strategies adopted by those living and working in the inner cities of America. It presents a world where for many even hope isn't an option, where life operates as day-to-day existence without education, without job security and without social structures. Over its five season, sixty-episode run (2002-2008), "The Wire" presents several overlapping narrative threads, all set in the city of Baltimore. The series consistently deconstructs conventional narratives of law, order - and disorder - offering a view of America that has never before been admitted to the public discourse of the televisual. It is bleak and at times excruciating. By focusing on four main topics (Crime, Law Enforcement, America and Television), examines the series' place within popular culture and its representation of the realities of inner city life, social institutions and politics in contemporary American society.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Dimensions
Height: 216 mm
Width: 138 mm
ISBN-13
978-0-8264-2345-0 (9780826423450)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
12/2009
1st Edition
Bloomsbury Continuum
€35.49
Available for download
Persons
Tiffany Potter, teaches in the Department of English, University of British Columbia, and holdsa PhD in English Literature, focuses her research on cultural studies. C.W. Marshall is an Associate Professor of Classical, Near Eastern and Religious Studies, with a PhD in Classics and a post-graduate diploma in Christian Studies, in the Department of English at the University of British Columbia.
Content
1. Aafa Weaver, "Baltimore before The Wire"; 2. C.W. Marshall and Tiffany Potter, "'I am the American Dream': Modern Urban Tragedy and the Borders of Fiction"; Part A. Baltimore and its Institutions; 3. David Alff, "Yesterday's Tomorrow Today: Baltimore and the Promise of Reform"; 4. Peter Clandfield, "We ain't got no yard': Crime, Development and Urban Environment". 5. Alisdair McMillan, "Heroism, Institutions, and the Police Procedural"; 6. Ryan Brooks, "Once That Tape Starts Rolling...': The Production of 'Real Police'"; 7. Lynne Viti, "I got the Shotgun, You got the Briefcase': Judging, Lawyering, and Ethics"; 8. Ralph Beliveau and Laura Bolf-Beliveau, "Posing Problems and Picking Fights: Critical Pedagogy and the Corner Boys"; Part B. In the Vacants; 9. James Peterson, "On the Corners of Black Masculinity: Hip Hop Culture and the Intersections of Inner City Manhood"; 10. Jason Read, "Stringer Bell's Lament: Violence and Legitimacy in Contemporary Capitalism"; 11. Stephen Lucasi, "Networks of (Af)filiation: Familialism and Anti-Corporatism"; 12. Courtney Marshall, "Barksdale Women: Crime, Empire, and the Production of Gender"; 13. Elizabeth Bonjean, "After the Towers Fell: Bodie Broadus and the Space of Memory"; Part C. Twenty-first Century Television; 14. Amanda Ann Klein, "The Dickensian Aspect': Melodrama, Viewer Engagement and the Socially Conscious Text"; 15. Ted Nannicelli, "'It's All Connected': Notes on the Teleplays"; 16. Kevin McNeilly, "Dislocating America: Agnieszka Holland Directs 'Moral Midgetry'"; 17. Kathleen LeBesco, "Social Justice and Audience Response to Omar Little"; Bibliography, Episode List, Notes on Contributors, Index.