Theory, Analysis and Meaning in Music
Published on 2. November 2006
Book
Paperback/Softback
244 pages
978-0-521-02830-1 (ISBN)
Description
There have been far-reaching changes in the way music theorists and analysts view the nature of their disciplines. Encounters with structuralist and post-structuralist critical theory, and with linguistics and cognitive sciences, have brought the theory and analysis of music into the orbit of important developments in intellectual history. This book presents the work of a group of scholars who, without seeking to impose an explicit redefinition of either theory or analysis, explore the limits of both in this context. Essays on the languages of analysis and theory, and on practical issues such as decidability, ambiguity and metaphor, combine with studies of works by Debussy, Schoenberg, Birtwistle and Boulez, together making a major contribution to an important debate in the growth of musicology.
More details
Language
English
Place of publication
Cambridge
United Kingdom
Target group
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
30 Printed music items; 2 Tables, unspecified
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 15 mm
Weight
402 gr
ISBN-13
978-0-521-02830-1 (9780521028301)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Content
Preface; Acknowledgements; Contributors; Part I. Languages: 1. Metaphor in Roger Scruton's aesthetics of music Naomi Cumming; 2. Competing myths: the American abandonment of Schenker's organicism Robert Snarrenberg; 3. Rehabilitating the incorrigible Marion A. Guck; Part II. Decisions: 4. Criteria of correctness in music theory and analysis Jonathan Dunsby; 5. Ambiguity in tonal music: a preliminary study Kofi Agawu; 6. Systems and strategies: functions and limits of analysis Anthony Pople; Part III. Texts: 7. Debussy's significant connections: metaphor and metonymy in analytical method Craig Ayrey; 8. Music as text: Mahler, Schumann and issues in analysis Robert Samuels; 9. The obbligato recitative: narrative and Schoenberg's Five Orchestral Pieces, Op. 16 Alan Street; 10. Music theory and the challenge of modern music: Birtwistle's Refrains and Choruses Jonathan Cross; 11. Repons: phantasmagoria or the articulation of space? Alastair Williams; Bibliography; Index.