
Encounters in the Virtual Feminist Museum
Time, Space and the Archive
Griselda Pollock(Author)
Routledge (Publisher)
1st Edition
Published on 22. November 2007
Book
Paperback/Softback
280 pages
978-0-415-41374-9 (ISBN)
Description
Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Griselda Pollock draws on the models of both Aby Warburg's Mnemosyne Atlas and Freud's private museum of antiquities as well as Ettinger's concept of subjectivity as encounter to propose a differencing journey through time, space and archive. Featuring studies of Canova 's Three Graces and women artist's modernist reclamations of the female body, the book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath.
Artists featured include: Georgia O'Keeffe, Josephine Baker, Gluck, Charlotte Salomon, Bracha Ettinger and Christine Taylor Patten.
Griselda Pollock draws on the models of both Aby Warburg's Mnemosyne Atlas and Freud's private museum of antiquities as well as Ettinger's concept of subjectivity as encounter to propose a differencing journey through time, space and archive. Featuring studies of Canova 's Three Graces and women artist's modernist reclamations of the female body, the book traverses the rupture of fascism and the Holocaust and ponders the significance of painting and drawing in their aftermath.
Artists featured include: Georgia O'Keeffe, Josephine Baker, Gluck, Charlotte Salomon, Bracha Ettinger and Christine Taylor Patten.
Reviews / Votes
'In this complex and excessive book Griselda Pollock defies the conventions of reason in the history of art and culture. Creating the 'rooms' of a series of imaginary exhibitions in which women artists such as Frida Kahlo or Charlotte Salomon freely mingle with Sigmund Freud and Aby Warburg, converse with one another out of their time and place, or hear Walter Benjamin on the radio, she invents a new, feminist history for the future. Out of the fragments and traumas of near and ancient pasts, she offers the hope for a political and cultural archaeology of our time.' - Adrian Rifkin, Professor of Art Writing at Goldsmith's College, University of London, UK'A significant contribution to feminist art history... An incredibly ambitious, methodologically complex, and intellectually rich book. Pollock provides us with creative ways to conceptualize the field of art history that have the possibility to transform how we interpret and exhibit images... with Encounters in the Virtual Feminist Museum, it is no wonder why Pollock continues to be one of our great art historians.' - Woman's Art Journal
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
134 s/w Photographien bzw. Rasterbilder
134 Halftones, black and white
Dimensions
Height: 244 mm
Width: 177 mm
Thickness: 13 mm
Weight
558 gr
ISBN-13
978-0-415-41374-9 (9780415413749)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
04/2023
1st Edition
Routledge
€69.99
Available for download

E-Book
04/2023
1st Edition
Routledge
€69.99
Available for download

Book
11/2007
1st Edition
Routledge
€193.50
Shipment within 15-20 days
Person
Griselda Pollock is Professor of Social and Critical Histories of Art and Director for Cultural Analysis, Theory and History at University of Leeds. A world-renowned scholar of international, post-colonial feminist studies in the visual arts, she is best known for her theoretical and methodological innovation, combined with deeply engaged readings of historical and contemporary art, film and cultural theory.
Content
Acknowledgements List of Illustrations Part 1: The Afterlife of Images: Framing Fathers 1. What the Graces made me do... Time, Space and the Archive: Questions of Feminist Method 2. The Grace of Time: Narrativity, Sexuality and the Visual Encounter 3. The Object's Gaze in the Freudian Museum Part 2: Femininity, Modernity and Representation 4.Visions of Sex ca 1920 Part 3: After Auschwitz: femininity and futurity 5. Jewish Space/Women's Time: Encounters with History in the Artworking of Charlotte Salomon 1941-1942 6. The Graces of Catastrophe: Matrixial Time and Aesthetic Space confront the Archive of Disaster Part 4: Time and the Mark 7. The Time of Drawing : Drawing Time Christine Taylor Patten's Micro/Macro series Index