Elizabeth Barrett and Robert Browning
A Creative Partnership
Mary Sanders Pollock(Author)
Routledge (Publisher)
1st Edition
Published on 31. December 2023
Book
Hardback
248 pages
978-1-138-71185-3 (ISBN)
Description
This title was first pbulished in 2003. This volume, the first full-length comparative study of the Brownings' poetry since the early twentieth century, examines the creative partnership of Elizabeth Barrett and Robert Browning through a critical analysis of the poems written by this famous couple during the sixteen-year period of their friendship, courtship, and marriage. First attracted to each other by similarities in their poetry, the Brownings were both scholarly poets, and continually experimented with versification. Through their famous courtship correspondence of 1845-46, this cerebral attraction developed into creative exchange, erotic passion, and a reciprocal professional partnership. Pollock shows how, against the critical tide of the time, Elizabeth Barrett Browning became Robert Browning's most sympathetic reader and his most astute critic-and how in return, Robert Browning encouraged his wife to challenge the "poetess" stereotype by writing about the public sphere, and to risk critical censure by commenting honestly in her work about the real lives of men and women. Even quite early in their relationship, the Brownings shared a frame of reference: similar themes, narrative structures, and details of phrasing resonate in their works and suggest dialogue, rather than merely mutual influence. Pollock traces parallels between the Brownings' lives and works even before they met, and then throughout their courtship and married life, suggesting that their creative dialogue continued after Barrett Browning died in 1861, as her presence and themes continued to inform Browning's poetry for at least a decade afterward. This book will be of interest to scholars of 19th-century literature, as well as to those exploring the nature of close critical dialogue among working poets.
Reviews / Votes
'Draws on the dialogic theory of Mikhail Bakhtin to cast welcome new light on the collaborative dimensions of each poet's artistic development.' Marjorie Stone, Professor of English & Women's Studies, Dalhousie University 'Pollock provides insightful readings of major works by both writers, establishing at the same time a critical context provided by a century and a half of Browning scholarship. Extensive bibliography and helpful index. Highly recommended.' ChoiceMore details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Dimensions
Height: 234 mm
Width: 156 mm
ISBN-13
978-1-138-71185-3 (9781138711853)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Book
approx. 09/2019
Routledge
approx.
€54.71
Not yet published
Person
Mary Sanders Pollock is professor of English and director of the Women and Gender Studies Program at Stetson University, DeLand, Florida, USA.
Content
Contents: Introduction; Art and inexperience: 1806-1844: i. Elizabeth Barrett Moulton Barrett; ii. Robert Browning; A broken poem: 1844-1846; Double voices: 1844-1846; Browning beside himself: 1847-1851; Giotto's tower: 1847-1851; A gallery of voices: 1851-1855; "What form is best?": 1852-1856; Afterword; Bibliography; Index.