Citation, Intertextuality and Memory in the Middle Ages and Renaissance volume 1
Text, Music and Image from Machaut to Ariosto
Will be published approx. on 22. July 2011
Book
Hardback
288 pages
978-0-85989-851-5 (ISBN)
Description
From the Middle Ages onwards, writers, artists and composers became self-consciously aware of the vast potential for external references to enrich their works. By evoking canonical texts and their producers from the distant or more recent past, authors demonstrated their respect for tradition while showcasing their own merits. In so doing they also manipulated the memory of their readers. This volume represents a multidisciplinary approach to the themes of citation and intertextual play. It is also an exploration of the role of memory in the cultural production of the late Middle Ages and early Renaissance. The essays investigate work by renowned authors, composers and artists, as well as less familiar sources, from France, England and Italy.
Reviews / Votes
Butterfield and Palti provide wonderful and complementary reflections on English lyric...Collectively, these studies show how varied and dynamic an author/artist's engagement with traditions and predecessors, as with reader/viewers, can be...Readers will find much to admire in the insightful essays gathered in this volume.Daisy Delogu, Speculum 91/4
More details
Series
Language
English
Place of publication
United Kingdom
Publishing group
Liverpool University Press
Target group
College/higher education
Professional and scholarly
Illustrations
10 Illustrations
Dimensions
Height: 239 mm
Width: 163 mm
ISBN-13
978-0-85989-851-5 (9780859898515)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Persons
Yolanda Plumley is Director of the Centre for Medieval Studies at the University of Exeter and Reader in Medieval Music and Culture. Giuliano Di Bacco is Research Fellow in Medieval Studies at the University of Exeter. Stefano Jossa is Lecturer in Italian at Royal Holloway, University of London.
Content
Introduction by Lina Bolzoni (scuola Normale Superiore, Pisa, Italy)
1. Benjamin Albritton (Washington State University, USA) Translation and Parody: Responses to Machaut's Lay de confort
2. Jacques Boogaart (University of Amsterdam, Netherlands) Folie couvient avoir. Citation and Transformation in Machaut's Musical Works: Gender Change and Transgression
3. Ardis Butterfield (University College London) The Construction of Textual Form: Cross-Lingual Citation in the Medieval Lyric
4. Monica Calabritto (City University of New York, USA) Examples, References and Quotations in Sixteenth-Century Medical Texts
5. Alessandro Daneloni (University of Messina, Italy) Auctores and Auctoritas in the Preface to Angelo Poliziano's Miscellaneorum Centuria Prima
6. Stefano Jossa (Royal Holloway University of London) Classical Memory and Modern Poetics in Ariosto's Orlando furioso
7. Domenic Leo (Youngstown State University, USA) The Beginning is the End: Guillaume de Machaut's Illuminated Prologue
8. Anthony Musson (University of Exeter) The Power of Image: Allusion and Intertextuality in Illuminated English Law books
9. R. Barton Palmer (Clemson University, USA) Self-Allusion and the Poetics of Metafictionality in Guillaume de Machaut's Voir-Dit
10. Kathleen Palti (University College London) Representations of Voices in Middle English Lyrics
11. Jan Stejskal (University of Olomouc, Czech Republic) Memory and Heresy: Perception of the Hussite Reformation in 15th-century Tuscany
12. Anne Stone (City University of New York, USA) Machaut Sighted in Modena
13. Karel Thein (University of Prague, Czech Republic) Image, Memory and Judgement. On Ambrogio Lorenzetti's Good Government frescoes and his Allegory of Redemption
Bibliography
Index
1. Benjamin Albritton (Washington State University, USA) Translation and Parody: Responses to Machaut's Lay de confort
2. Jacques Boogaart (University of Amsterdam, Netherlands) Folie couvient avoir. Citation and Transformation in Machaut's Musical Works: Gender Change and Transgression
3. Ardis Butterfield (University College London) The Construction of Textual Form: Cross-Lingual Citation in the Medieval Lyric
4. Monica Calabritto (City University of New York, USA) Examples, References and Quotations in Sixteenth-Century Medical Texts
5. Alessandro Daneloni (University of Messina, Italy) Auctores and Auctoritas in the Preface to Angelo Poliziano's Miscellaneorum Centuria Prima
6. Stefano Jossa (Royal Holloway University of London) Classical Memory and Modern Poetics in Ariosto's Orlando furioso
7. Domenic Leo (Youngstown State University, USA) The Beginning is the End: Guillaume de Machaut's Illuminated Prologue
8. Anthony Musson (University of Exeter) The Power of Image: Allusion and Intertextuality in Illuminated English Law books
9. R. Barton Palmer (Clemson University, USA) Self-Allusion and the Poetics of Metafictionality in Guillaume de Machaut's Voir-Dit
10. Kathleen Palti (University College London) Representations of Voices in Middle English Lyrics
11. Jan Stejskal (University of Olomouc, Czech Republic) Memory and Heresy: Perception of the Hussite Reformation in 15th-century Tuscany
12. Anne Stone (City University of New York, USA) Machaut Sighted in Modena
13. Karel Thein (University of Prague, Czech Republic) Image, Memory and Judgement. On Ambrogio Lorenzetti's Good Government frescoes and his Allegory of Redemption
Bibliography
Index