
Science and the Stanislavsky Tradition of Acting
Jonathan Pitches(Author)
Routledge (Publisher)
1st Edition
Published on 28. September 2005
Book
Hardback
236 pages
978-0-415-32907-1 (ISBN)
Description
Providing new insight into the well-known tradition of acting, Science and the Stanislavsky Tradition of Acting is the first book to contextualise the Stanislavsky tradition with reference to parallel developments in science. Rooted in practice, it presents an alternative perspective based on philosophy, physics, romantic science and theories of industrial management.
Working from historical and archive material, as well as practical sources, Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to the contemporary Muscovite director, Anatoly Vasiliev. The book explores two key developments that emerge from Stanislavsky's system - one linear, rational and empirical, while the other is fluid,organic and intuitive. The otherwise highly contrasting acting theories of Vsevolod Meyerhold (biomechanics) and Lee Strasberg (the Method) are dealt with under the banner of the rational or Newtonian paradigm; Michael Chekov's acting technique and the little known ideas of Anatoly Vasiliev form the centrepiece of the other Romantic, organic strain of practice.
Science and the Stanislavsky Tradition of Acting opens up the theatre laboratories of five major practitioners in the twentieth and twenty-first centuries and scrutinises their acting methodologies from a scientific perspective.
Working from historical and archive material, as well as practical sources, Jonathan Pitches traces an evolutionary journey of actor training from the roots of the Russian tradition, Konstantin Stanislavsky, to the contemporary Muscovite director, Anatoly Vasiliev. The book explores two key developments that emerge from Stanislavsky's system - one linear, rational and empirical, while the other is fluid,organic and intuitive. The otherwise highly contrasting acting theories of Vsevolod Meyerhold (biomechanics) and Lee Strasberg (the Method) are dealt with under the banner of the rational or Newtonian paradigm; Michael Chekov's acting technique and the little known ideas of Anatoly Vasiliev form the centrepiece of the other Romantic, organic strain of practice.
Science and the Stanislavsky Tradition of Acting opens up the theatre laboratories of five major practitioners in the twentieth and twenty-first centuries and scrutinises their acting methodologies from a scientific perspective.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Postgraduate and Professional
Illustrations
2 s/w Abbildungen, 8 s/w Zeichnungen, 2 s/w Tabellen
2 Tables, black and white; 8 Line drawings, black and white; 2 Illustrations, black and white
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 17 mm
Weight
523 gr
ISBN-13
978-0-415-32907-1 (9780415329071)
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Schweitzer Classification
Other editions
Additional editions

Jonathan Pitches
Science and the Stanislavsky Tradition of Acting
Book
09/2009
1st Edition
Routledge
€83.30
Shipment within 15-20 days

Jonathan Pitches
Science and the Stanislavsky Tradition of Acting
E-Book
09/2005
Routledge
€76.49
Available for download

Jonathan Pitches
Science and the Stanislavsky Tradition of Acting
E-Book
09/2005
Routledge
€76.49
Available for download
Person
Manchester Metropolitan University, UK
Content
Introduction: Science and the Stanislavsky Tradition of Acting Part 1. 1. A System for the World? Newtonianism in Stanislavsky's Science of Acting Part 2. 2. The Theatricality Reflex: The Place of Pavlov and Taylor in Meyerhold's Biomechanics 3. The System, Psychology and the US: Richard Boleslavsky and Lee Strasberg Part 3. 4. A Delicate Empiricism: Romantic Science and the Michael Chekhov Technique 5. The Laboratory as Sanctuary: The Theatre of Anatoly Vasiliev Epilogue: Genetic Modification and the Backbone of Tradition Bibliography. Index