Photography and Anthropology

Reviews / Votes

Few scholars possess the breadth and depth of understanding required to merge topics as vast as photography and anthropology. In this masterful work, Pinney draws upon his own important monographs to present an engagingly idiosyncratic selection of cases and anecdotes from around the world and across literatures . . . In this excellent book to teach undergraduates, thoughts of theoreticians and anthropological luminaries are balanced by indigenous voices readers need to hear. Essential * <i>Choice</i> * Pinney successfully synthesises and builds on his decades of painstaking research in archives and collections around the world, and fieldwork among numerous communities engaged in making and using photographs. The volume is illustrated with eighty-nine fascinating images, gathered from over thirty collections, dating from the 1840s to the early twenty-first century. This book provides an accessible and succinct exploration of the two practices and the ways in which photography has been made to do anthropological work. * <i>History of Photography Journal</i> * What Pinney gives us, then, is a valuable analysis of the struggle to know, to see, to record, and to present . . . anthropologists interested in photography, ethnography, and the history and philosophy of the discipline will certainly benefit from contemplating the message that Pinney brings in this important book. * <i>Anthropology Review</i> * Christopher Pinney, in this richly illustrated and sharply focused monograph, highlights the intersection between two tools for investigating the cultural and natural worlds of the nineteenth and twentieth centuries. As Pinney effectively points out, photography and anthropology grew up together, and an investigation which deconstructs their contexts of use brings out some very useful insights into the construction of an anthropological way of looking and the application of a technology for looking . . . enjoyable to read and a valuable example in how to integrate the reading of an image with a close reading of its value and use. * <i>British Journal for the History of Science</i> * Photography and Anthropology is a much-needed addition to the history of anthropology, one that complicates our understanding of technology and the production of anthropological knowledge. Pinneys analysis is strong, well written, and well researched, which makes this book an excellent resource for those interested in the history of anthropology and/or photography . . . a beautiful and thoughtful work that should be required reading for all graduate students studying visual anthropology. * <i>Journal of Folklore Research</i> * A masterful synthesis of his twenty years of explorations into the parallel histories of anthropology and photography, Chris Pinneys intellectual archeologies of image, observation, and evidence are at once deeply historical, deeply contemporary, deeply critical, and deeply provocative. I cant imagine a more vivid blow-up of how the photographic magic of realism mirrors and shadows the anthropological realism of magic. * Steven Feld, Distinguished Professor of Anthropology and Music, The University of New Mexico * Who better than Chris Pinney to adjudicate the magic of photography with the anthropology of the image, and do so in such a marvelously succinct, smart, and lively manner? With its cornucopia of wondrous accounts of how photography is set to work outside of Western culture, this book mightily expands both the meaning of the image and the power of a photograph. A tour de force. * Michael Taussig, Professor of Anthropology, Columbia University and author of <i>Mimesis and Alterity</i> and <i>What Color is the Sacred?</i> *