Oh, to be in England
Published on 6. January 2011
Book
Paperback/Softback
88 pages
978-1-84943-056-2 (ISBN)
Description
"If I was French, it would be simple; I'd commit crime passionel in a riot of garlic and vin ordinaire. And if I was German, I'd invoke the phantom of the Fuhrer and get hacking. In America, the husband generally shoots the family first, then takes a dozen high-powered rifles up some bell tower and blasts away at the town. But I knew the English way was the only way, God help me. You make a bloody great speech - and then you have a stiff drink."
Like Pinner's contemporaneous 1973 Stalin play The Teddy Bears' Picnic, Oh, To Be In England was unproduceable at the time of its writing because of its unapologetic skewering of political extremism in the UK. Unlike The Teddy Bears' Picnic, which finally ran in 1990 to press acclaim, Oh, To Be In England has remained lost. After thirty-five years, it is now receiving its world premiere.
Frighteningly prescient, and tragically current, Oh, To Be In England is a dark comedic examination what it means to live in an ex-empire in economic free-fall, and the political and personal extremism that results when all other belief is lost. A middle-aged Englishman, bred to believe in his innate superiority as a birthright of class, race, and gender, loses his job in the City. Left floundering impotently in a world that is no longer cricket, his family, security, and sanity follow close behind.
Like Pinner's contemporaneous 1973 Stalin play The Teddy Bears' Picnic, Oh, To Be In England was unproduceable at the time of its writing because of its unapologetic skewering of political extremism in the UK. Unlike The Teddy Bears' Picnic, which finally ran in 1990 to press acclaim, Oh, To Be In England has remained lost. After thirty-five years, it is now receiving its world premiere.
Frighteningly prescient, and tragically current, Oh, To Be In England is a dark comedic examination what it means to live in an ex-empire in economic free-fall, and the political and personal extremism that results when all other belief is lost. A middle-aged Englishman, bred to believe in his innate superiority as a birthright of class, race, and gender, loses his job in the City. Left floundering impotently in a world that is no longer cricket, his family, security, and sanity follow close behind.
Reviews / Votes
"David Pinner's 1976 play powerfully demonstrates how the patriotic cliches of our literary tradition can become a veritable lifeline for the diehard Anglocentric... Pinner's dialogue is intelligent and witty"-Emily Hawes, Time Out "David Pinner's 1976 play powerfully demonstrates how the patriotic cliches of our literary tradition can become a veritable lifeline for the diehard Anglocentric? Pinner's dialogue is intelligent and witty"?Emily Hawes, Time OutMore details
Series
Language
English
Place of publication
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 203 mm
Width: 130 mm
Thickness: 8 mm
Weight
118 gr
ISBN-13
978-1-84943-056-2 (9781849430562)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
David Pinner
Oh, to be in England
E-Book
01/2011
1st Edition
Oberon Books Ltd
€11.99
Available for download
Person
David Pinner trained at the Royal Academy of Dramatic Art, after which he appeared on stage and television in many roles. While he was playing the lead in 'The Mousetrap' in the West End, he wrote his first novel 'Ritual'(later made into the film The Wicker Man). He has written two other novels 'With My Body' and 'There'll Always Be An England'. His stage plays include 'Dickon', 'Cartoon', 'Lucifer's Fair', 'Hereward The Wake', 'The Potsdam Quartet', 'Shakebag', 'An Evening With The G.L.C.', 'Screwball', 'Revelations', 'The Teddy Bears' Picnic', 'The Last Englishman', 'The Sins of the Mother', 'Lenin in Love'.