Fiction 100
An Anthology of Short Fiction
11th Edition
Published on 24. August 2006
Book
Paperback/Softback
1456 pages
978-0-13-173134-9 (ISBN)
Description
For Introduction to the Short Story, Introduction to Fiction, and Creative Writing: Fiction.
A collection of carefully chosen, interesting stories with literary merit, the best-selling text-anthology Fiction 100 continues to offer instructors the flexibility to organize their courses in a format that best suits their pedagogical needs. Intended to ignite students' curiosity, imagination, and intelligence, these selections represent a wide variety of subject matter, theme, literary technique, and style. International in scope, it illustrates the development of short fiction from the early 19th century to the present day, and features 131 traditional and contemporary works organized alphabetically by author.
A collection of carefully chosen, interesting stories with literary merit, the best-selling text-anthology Fiction 100 continues to offer instructors the flexibility to organize their courses in a format that best suits their pedagogical needs. Intended to ignite students' curiosity, imagination, and intelligence, these selections represent a wide variety of subject matter, theme, literary technique, and style. International in scope, it illustrates the development of short fiction from the early 19th century to the present day, and features 131 traditional and contemporary works organized alphabetically by author.
More details
Edition
11th edition
Language
English
Place of publication
United States
Publishing group
Pearson Education (US)
Target group
Professional and scholarly
Dimensions
Height: 229 mm
Width: 152 mm
Weight
1111 gr
ISBN-13
978-0-13-173134-9 (9780131731349)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Previous edition
Book
08/2006
10th Edition
Longman Inc
€44.56
Article exhausted; check for reprint
Content
<i><b><i>A</i></b>
</i><i></i><P style="MARGIN: 0px" align=left text-align="left">ALICE ADAMS<i><P style="MARGIN: 0px" align=left text-align="left">Roses, Rhododendron 1</i><P style="MARGIN: 0px" align=left text-align="left">SHERMAN ALEXIE<i><P style="MARGIN: 0px" align=left text-align="left">This Is What It Means to Say<P style="MARGIN: 0px" align=left text-align="left">Phoenix, Arizona 11</i><P style="MARGIN: 0px" align=left text-align="left">SHERWOOD ANDERSON<i><P style="MARGIN: 0px" align=left text-align="left">I Want to Know Why 20</i><P style="MARGIN: 0px" align=left text-align="left">MARY HUNTER AUSTIN<i><P style="MARGIN: 0px" align=left text-align="left">The Land 27<P style="MARGIN: 0px" align=left text-align="left">The Return of Mr. Wills 32<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>B</b></i><P style="MARGIN: 0px" align=left text-align="left">JAMES BALDWIN<i><P style="MARGIN: 0px" align=left text-align="left">Sonny's Blues 37</i><P style="MARGIN: 0px" align=left text-align="left">TONI CADE BAMBARA<i><P style="MARGIN: 0px" align=left text-align="left">The Lesson 60</i><P style="MARGIN: 0px" align=left text-align="left">JULIAN BARNES<i><P style="MARGIN: 0px" align=left text-align="left">Trespass 66</i><P style="MARGIN: 0px" align=left text-align="left">ANDREA BARRETT<i><P style="MARGIN: 0px" align=left text-align="left">The Littoral Zone 74</i><P style="MARGIN: 0px" align=left text-align="left">JOHN BARTH<i><P style="MARGIN: 0px" align=left text-align="left">Lost in the Funhouse 81</i><P style="MARGIN: 0px" align=left text-align="left">DONALD BARTHELME<i><P style="MARGIN: 0px" align=left text-align="left">The Balloon 98</i><P style="MARGIN: 0px" align=left text-align="left">RICK BASS<i><P style="MARGIN: 0px" align=left text-align="left">The Hermit's Story 102</i><P style="MARGIN: 0px" align=left text-align="left">ANN BEATTIE<i><P style="MARGIN: 0px" align=left text-align="left">Janus 112</i><P style="MARGIN: 0px" align=left text-align="left">SAUL BELLOW<i><P style="MARGIN: 0px" align=left text-align="left">Looking for Mr. Green 117</i><P style="MARGIN: 0px" align=left text-align="left">AMBROSE BIERCE<i><P style="MARGIN: 0px" align=left text-align="left">An Occurrence at Owl<P style="MARGIN: 0px" align=left text-align="left">Creek Bridge 132</i><P style="MARGIN: 0px" align=left text-align="left">AMY BLOOM<i><P style="MARGIN: 0px" align=left text-align="left">The Story 139</i><P style="MARGIN: 0px" align=left text-align="left">JORGE LUIS BORGES<i><P style="MARGIN: 0px" align=left text-align="left">The Garden of Forking<P style="MARGIN: 0px" align=left text-align="left">Paths 147</i><P style="MARGIN: 0px" align=left text-align="left">ELIZABETH BOWEN<i><P style="MARGIN: 0px" align=left text-align="left">The Demon Lover 155</i><P style="MARGIN: 0px" align=left text-align="left">KAY BOYLE<i><P style="MARGIN: 0px" align=left text-align="left">Astronomer's Wife 160</i><P style="MARGIN: 0px" align=left text-align="left">T. CORAGHESSAN BOYLE<i><P style="MARGIN: 0px" align=left text-align="left">The Love of My Life 165</i><P style="MARGIN: 0px" align=left text-align="left">RAY BRADBURY<i><P style="MARGIN: 0px" align=left text-align="left">August 2002: Night Meeting 178<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>C</b></i><P style="MARGIN: 0px" align=left text-align="left">ALBERT CAMUS<i><P style="MARGIN: 0px" align=left text-align="left">The Guest 184</i><P style="MARGIN: 0px" align=left text-align="left">RAYMOND CARVER<i><P style="MARGIN: 0px" align=left text-align="left">Call If You Need Me 194<P style="MARGIN: 0px" align=left text-align="left">Cathedral 202</i><P style="MARGIN: 0px" align=left text-align="left">WILLA CATHER<i><P style="MARGIN: 0px" align=left text-align="left">Paul's Case 213</i><P style="MARGIN: 0px" align=left text-align="left">JOHN CHEEVER<i><P style="MARGIN: 0px" align=left text-align="left">The Country Husband 228</i><P style="MARGIN: 0px" align=left text-align="left">ANTON CHEKHOV<i><P style="MARGIN: 0px" align=left text-align="left">The Darling 247<P style="MARGIN: 0px" align=left text-align="left">The Lady with the Dog 256</i><P style="MARGIN: 0px" align=left text-align="left">KATE CHOPIN<i><P style="MARGIN: 0px" align=left text-align="left">The Storm 268<P style="MARGIN: 0px" align=left text-align="left">The Story of an Hour 273</i><P style="MARGIN: 0px" align=left text-align="left">SANDRA CISNEROS<i><P style="MARGIN: 0px" align=left text-align="left">The House on Mango Street 276</i><P style="MARGIN: 0px" align=left text-align="left">SAMUEL L. CLEMENS<i><P style="MARGIN: 0px" align=left text-align="left">The Celebrated Jumping Frog<P style="MARGIN: 0px" align=left text-align="left">of Calaveras County 278<P style="MARGIN: 0px" align=left text-align="left">The Man That Corrupted<P style="MARGIN: 0px" align=left text-align="left">Hadleyburg 283</i><P style="MARGIN: 0px" align=left text-align="left">GRACE STONE COATES<i><P style="MARGIN: 0px" align=left text-align="left">Wild Plums 315</i><P style="MARGIN: 0px" align=left text-align="left">JOSEPH CONRAD<i><P style="MARGIN: 0px" align=left text-align="left">Heart of Darkness 319<P style="MARGIN: 0px" align=left text-align="left">The Secret Sharer 378</i><P style="MARGIN: 0px" align=left text-align="left">STEPHEN CRANE<i><P style="MARGIN: 0px" align=left text-align="left">The Blue Hotel 407<P style="MARGIN: 0px" align=left text-align="left">The Bride Comes to Yellow Sky 427<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>D</b></i><P style="MARGIN: 0px" align=left text-align="left">STEPHEN DOBYNS<i><P style="MARGIN: 0px" align=left text-align="left">Kansas 435</i><P style="MARGIN: 0px" align=left text-align="left">ARTHUR CONAN DOYLE<i><P style="MARGIN: 0px" align=left text-align="left">A Scandal in Bohemia 440</i><P style="MARGIN: 0px" align=left text-align="left">FEDOR DOSTOEVSKI<i><P style="MARGIN: 0px" align=left text-align="left">The Grand Inquisitor 458</i><P style="MARGIN: 0px" align=left text-align="left">TOM DRURY<i><P style="MARGIN: 0px" align=left text-align="left">Chemistry 472<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>E</b></i><P style="MARGIN: 0px" align=left text-align="left">RALPH ELLISON<i><P style="MARGIN: 0px" align=left text-align="left">King of the Bingo Game 478</i><P style="MARGIN: 0px" align=left text-align="left">LOUISE ERDRICH<i><P style="MARGIN: 0px" align=left text-align="left">The Red Convertible 485<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>F</b></i><P style="MARGIN: 0px" align=left text-align="left">WILLIAM FAULKNER<i><P style="MARGIN: 0px" align=left text-align="left">Barn Burning 492<P style="MARGIN: 0px" align=left text-align="left">A Rose for Emily 505</i><P style="MARGIN: 0px" align=left text-align="left">F. SCOTT FITZGERALD<i><P style="MARGIN: 0px" align=left text-align="left">Winter Dreams 512</i><P style="MARGIN: 0px" align=left text-align="left">RICHARD FORD<i><P style="MARGIN: 0px" align=left text-align="left">Reunion 528</i><P style="MARGIN: 0px" align=left text-align="left">MARY WILKINS FREEMAN<i><P style="MARGIN: 0px" align=left text-align="left">A New England Nun 543</i><P style="MARGIN: 0px" align=left text-align="left">E. M. FORSTER<i><P style="MARGIN: 0px" align=left text-align="left">The Road from Colonus 534<b><P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left">G</b></i><P style="MARGIN: 0px" align=left text-align="left">GABRIEL GARCIA MARQUEZ<i><P style="MARGIN: 0px" align=left text-align="left">A Very Old Man with<P style="MARGIN: 0px" align=left text-align="left">Enormous Wings 552</i><P style="MARGIN: 0px" align=left text-align="left">TIM GAUTREAUX<i><P style="MARGIN: 0px" align=left text-align="left">Same Places, Same Things 558</i><P style="MARGIN: 0px" align=left text-align="left">CHARLOTTE PERKINS GILMAN<i><P style="MARGIN: 0px" align=left text-align="left">If I Were a Man 569<P style="MARGIN: 0px" align=left text-align="left">The Yellow Wall-Paper 574</i><P style="MARGIN: 0px" align=left text-align="left">SUSAN GLASPELL<i><P style="MARGIN: 0px" align=left text-align="left">A Jury of Her Peers 586</i><P style="MARGIN: 0px" align=left text-align="left">NICKOLAI GOGOL<i><P style="MARGIN: 0px" align=left text-align="left">The Overcoat 601<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>H</b></i><P style="MARGIN: 0px" align=left text-align="left">THOMAS HARDY<i><P style="MARGIN: 0px" align=left text-align="left">The Three Strangers 622</i><P style="MARGIN: 0px" align=left text-align="left">BRET HARTE<i><P style="MARGIN: 0px" align=left text-align="left">Tennessee's Partner 639</i><P style="MARGIN: 0px" align=left text-align="left">NATHANIEL HAWTHORNE<i><P style="MARGIN: 0px" align=left text-align="left">My Kinsman, Major Molineux 646<P style="MARGIN: 0px" align=left text-align="left">Young Goodman Brown 660</i><P style="MARGIN: 0px" align=left text-align="left">ERNEST HEMINGWAY<i><P style="MARGIN: 0px" align=left text-align="left">Hills Like White Elephants 670</i><P style="MARGIN: 0px" align=left text-align="left">PAM HOUSTON<i><P style="MARGIN: 0px" align=left text-align="left">How to Talk to a Hunter 674<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>I</b></i><P style="MARGIN: 0px" align=left text-align="left">WASHINGTON IRVING<i><P style="MARGIN: 0px" align=left text-align="left">The Legend of Sleepy Hollow 679<P style="MARGIN: 0px" align=left text-align="left">Rip Van Winkle 702<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>J</b></i><P style="MARGIN: 0px" align=left text-align="left">SHIRLEY JACKSON<i><P style="MARGIN: 0px" align=left text-align="left">The Lottery 713</i><P style="MARGIN: 0px" align=left text-align="left">HENRY JAMES<i><P style="MARGIN: 0px" align=left text-align="left">Four Meetings 720<P style="MARGIN: 0px" align=left text-align="left">The Real Thing 741</i><P style="MARGIN: 0px" align=left text-align="left">SARAH ORNE JEWETT<i><P style="MARGIN: 0px" align=left text-align="left">A White Heron 759</i><P style="MARGIN: 0px" align=left text-align="left">HA JIN<i><P style="MARGIN: 0px" align=left text-align="left">Saboteur 767</i><P style="MARGIN: 0px" align=left text-align="left">JAMES JOYCE<i><P style="MARGIN: 0px" align=left text-align="left">Araby 775<P style="MARGIN: 0px" align=left text-align="left">The Dead 780</i><b><P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"></b><i><b>K</b></i><P style="MARGIN: 0px" align=left text-align="left">BEL KAUFMAN<i><P style="MARGIN: 0px" align=left text-align="left">Sunday in the Park 812</i><P style="MARGIN: 0px" align=left text-align="left">GARRISON KEILLOR<i><P style="MARGIN: 0px" align=left text-align="left">The Tip-Top Club 815</i><P style="MARGIN: 0px" align=left text-align="left">STEPHEN KING<i><P style="MARGIN: 0px" align=left text-align="left">The Man in the Black Suit 824</i><P style="MARGIN: 0px" align=left text-align="left">W. P. KINSELLA<i><P style="MARGIN: 0px" align=left text-align="left">Shoeless Joe Jackson Comes<P style="MARGIN: 0px" align=left text-align="left">to Lowa 840</i><P style="MARGIN: 0px" align=left text-align="left">RUDYARD KIPLING<i><P style="MARGIN: 0px" align=left text-align="left">They 850</i><P style="MARGIN: 0px" align=left text-align="left">WILLIAM KITTREDGE<i><P style="MARGIN: 0px" align=left text-align="left">We Are Not in This Together 866<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>L</b></i><P style="MARGIN: 0px" align=left text-align="left">RING LARDNER<i><P style="MARGIN: 0px" align=left text-align="left">Haircut 883</i><P style="MARGIN: 0px" align=left text-align="left">D. H. LAWRENCE<i><P style="MARGIN: 0px" align=left text-align="left">The Horse Dealer's Daughter 891<P style="MARGIN: 0px" align=left text-align="left">The Rocking-Horse Winner 903</i><P style="MARGIN: 0px" align=left text-align="left">URSULA K. LE GUIN<i><P style="MARGIN: 0px" align=left text-align="left">Horse Camp 914</i><P style="MARGIN: 0px" align=left text-align="left">DORIS LESSING<i><P style="MARGIN: 0px" align=left text-align="left">Wine 917</i><P style="MARGIN: 0px" align=left text-align="left">JACK LONDON<i><P style="MARGIN: 0px" align=left text-align="left">To Build a Fire 921<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>M</b></i><P style="MARGIN: 0px" align=left text-align="left">BERNARD MALAMUD<i><P style="MARGIN: 0px" align=left text-align="left">The Magic Barrel 933</i><P style="MARGIN: 0px" align=left text-align="left">KATHERINE MANSFIELD<i><P style="MARGIN: 0px" align=left text-align="left">Her First Ball 946<P style="MARGIN: 0px" align=left text-align="left">Miss Brill 951</i><P style="MARGIN: 0px" align=left text-align="left">BOBBIE ANN MASON<i><P style="MARGIN: 0px" align=left text-align="left">Three-Wheeler 955</i><P style="MARGIN: 0px" align=left text-align="left">GUY DE MAUPASSANT<i><P style="MARGIN: 0px" align=left text-align="left">The Necklace 963<P style="MARGIN: 0px" align=left text-align="left">Rust 970</i><P style="MARGIN: 0px" align=left text-align="left">MAILE MELOY<i><P style="MARGIN: 0px" align=left text-align="left">Travis, B. 975</i><P style="MARGIN: 0px" align=left text-align="left">HERMAN MELVILLE<i><P style="MARGIN: 0px" align=left text-align="left">Bartleby the Scrivener 986</i><P style="MARGIN: 0px" align=left text-align="left">LORRIE MOORE<i><P style="MARGIN: 0px" align=left text-align="left">You're Ugly, Too 1013</i><P style="MARGIN: 0px" align=left text-align="left">ALICE MUNRO<i><P style="MARGIN: 0px" align=left text-align="left">Meneseteung 1028<P style="MARGIN: 0px" align=left text-align="left">Wild Swans 1043</i><P style="MARGIN: 0px" align=left text-align="left">H. H. MUNRO ("SAKI"),<i><P style="MARGIN: 0px" align=left text-align="left">The Open Window 1051<P style="MARGIN: 0px" align=left text-align="left">Sredni Vashtar 1054<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>N</b></i><P style="MARGIN: 0px" align=left text-align="left">ANTONYA NELSON<i><P style="MARGIN: 0px" align=left text-align="left">Goodfellows 1058<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>O</b></i><P style="MARGIN: 0px" align=left text-align="left">JOYCE CAROL OATES<i><P style="MARGIN: 0px" align=left text-align="left">Four Summers 1078<P style="MARGIN: 0px" align=left text-align="left">Where Are You Going,<P style="MARGIN: 0px" align=left text-align="left">Where Have You Been? 1083</i><P style="MARGIN: 0px" align=left text-align="left">TIM O'BRIEN<i><P style="MARGIN: 0px" align=left text-align="left">The Things They Carried 1096</i><P style="MARGIN: 0px" align=left text-align="left">FLANNERY O'CONNOR<i><P style="MARGIN: 0px" align=left text-align="left">The Artificial Nigger 1109<P style="MARGIN: 0px" align=left text-align="left">A Good Man Is Hard to Find 1124</i><P style="MARGIN: 0px" align=left text-align="left">FRANK O'CONNOR<i><P style="MARGIN: 0px" align=left text-align="left">Guests of the Nation 1136<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>P</b></i><P style="MARGIN: 0px" align=left text-align="left">ROBERT PHILLIPS<i><P style="MARGIN: 0px" align=left text-align="left">Surprise! 1145</i><P style="MARGIN: 0px" align=left text-align="left">EDGAR ALLAN POE<i><P style="MARGIN: 0px" align=left text-align="left">The Cask of Amontillado 1149<P style="MARGIN: 0px" align=left text-align="left">The Fall of the House of Usher 1155</i><P style="MARGIN: 0px" align=left text-align="left">KATHERINE ANNE PORTER<i><P style="MARGIN: 0px" align=left text-align="left">The Grave 1169</i><P style="MARGIN: 0px" align=left text-align="left">ANNIE PROULX<i><P style="MARGIN: 0px" align=left text-align="left">The Half-Skinned Steer 1174<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>R</b></i><P style="MARGIN: 0px" align=left text-align="left">ELWOOD REID<i><P style="MARGIN: 0px" align=left text-align="left">What Salmon Know 1186</i><P style="MARGIN: 0px" align=left text-align="left"> <i><b><P style="MARGIN: 0px" align=left text-align="left">S<P style="MARGIN: 0px" align=left text-align="left"></b></i>ANNETTE SANFORD<i><P style="MARGIN: 0px" align=left text-align="left">Nobody Listens When I Talk 1197</i><P style="MARGIN: 0px" align=left text-align="left">JO SAPP<i><P style="MARGIN: 0px" align=left text-align="left">Nadine at 35: A Synopsis 1200</i><P style="MARGIN: 0px" align=left text-align="left">IRWIN SHAW<i><P style="MARGIN: 0px" align=left text-align="left">The Girls in Their Summer<P style="MARGIN: 0px" align=left text-align="left">Dresses 1202</i><P style="MARGIN: 0px" align=left text-align="left">LESLIE MARMON SILKO<i><P style="MARGIN: 0px" align=left text-align="left">Yellow Woman 1209</i><P style="MARGIN: 0px" align=left text-align="left">ISSAC BASHEVIS SINGER<i><P style="MARGIN: 0px" align=left text-align="left">Gimpel the Fool 1217</i><P style="MARGIN: 0px" align=left text-align="left">JUNE SPENCE<i><P style="MARGIN: 0px" align=left text-align="left">Missing Women 1227</i><P style="MARGIN: 0px" align=left text-align="left">JOHN STEINBECK<i><P style="MARGIN: 0px" align=left text-align="left">The Chrysanthemums 1233<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>T</b></i><P style="MARGIN: 0px" align=left text-align="left">ELIZABETH TALLENT<i><P style="MARGIN: 0px" align=left text-align="left">No One's a Mystery 1242</i><P style="MARGIN: 0px" align=left text-align="left">JAMES THURBER<i><P style="MARGIN: 0px" align=left text-align="left">The Catbird Seat 1245</i><P style="MARGIN: 0px" align=left text-align="left">LEO TOLSTOY<i><P style="MARGIN: 0px" align=left text-align="left">The Death of Ivan Ilych 1252</i><P style="MARGIN: 0px" align=left text-align="left">JUDY TROY<i><P style="MARGIN: 0px" align=left text-align="left">Ten Miles West of Venus 1292</i><P style="MARGIN: 0px" align=left text-align="left">IVAN TURGENEV<i><P style="MARGIN: 0px" align=left text-align="left">The Country Doctor 1296<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>U</b></i><P style="MARGIN: 0px" align=left text-align="left">JOHN UPDIKE<i><P style="MARGIN: 0px" align=left text-align="left">Here Come the Maples 1303<P style="MARGIN: 0px" align=left text-align="left">Separating 1312<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left">W</i><P style="MARGIN: 0px" align=left text-align="left">ALICEWALKER<i><P style="MARGIN: 0px" align=left text-align="left">To Hell with Dying 1321</i><P style="MARGIN: 0px" align=left text-align="left">EUDORAWELTY<i><P style="MARGIN: 0px" align=left text-align="left">Petrified Man 1326</i><P style="MARGIN: 0px" align=left text-align="left">DOROTHY WEST<i><P style="MARGIN: 0px" align=left text-align="left">My Baby 1336</i><P style="MARGIN: 0px" align=left text-align="left">WILLIAM CARLOS WILLIAMS<i><P style="MARGIN: 0px" align=left text-align="left">The Use of Force 1342</i><P style="MARGIN: 0px" align=left text-align="left">TOBIASWOLFF<i><P style="MARGIN: 0px" align=left text-align="left">Nightingale 1345<P style="MARGIN: 0px" align=left text-align="left">Powder 1351</i><P style="MARGIN: 0px" align=left text-align="left">RICHARDWRIGHT<i><P style="MARGIN: 0px" align=left text-align="left">The Man Who Was<P style="MARGIN: 0px" align=left text-align="left">Almost a Man 1354<P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left"><b>Z</b></i><P style="MARGIN: 0px" align=left text-align="left">PATRICIA ZELVER<i><P style="MARGIN: 0px" align=left text-align="left">Love Letters 1363</i><P style="MARGIN: 0px" align=left text-align="left"> <P style="MARGIN: 0px" align=left text-align="left">Biographical Notes 000<P style="MARGIN: 0px" align=left text-align="left">A Short Story Handbook 000<P style="MARGIN: 0px" align=left text-align="left">Chronological Table of<P style="MARGIN: 0px" align=left text-align="left">Contents 000<P style="MARGIN: 0px" align=left text-align="left">Credits 000<b><P style="MARGIN: 0px" align=left text-align="left"></b>