Subversive Imaginations
Fantastic Prose And The End Of Soviet Literature, 1970s-1990s
Nadya Peterson(Author)
Westview Press Inc
1st Edition
Published on 27. February 1997
Book
Hardback
232 pages
978-0-8133-8920-2 (ISBN)
Description
In response to the profound changes in Soviet society in recent years, the author considers the demise of Soviet literature and the emergence of its Russian progeny through the prism of the writers engagement with fantasy. In response to the profound changes in Soviet society in recent years, the author considers the demise of Soviet literature and the emergence of its Russian progeny through the prism of the writers engagement with fantasy.Viewing the mutual interaction of Soviet/Russian literary output with aspects of the dominant culture such as ideology and politics, Nadya Peterson traces the process of mainstream literary change in the context of broader social change. She explores the subversive character of the fantastic orientation, its utopian and apocalyptic motifs, and its dialogical relationship with socialist realism, as it steadily gathered force in the latter Soviet decades. The shattering of the mythic colossus did not put an end to these opposing forces, but rather diverted them in various unexpected directionsas the author explains in her concluding chapters on the new alternative literatures.
More details
Language
English
Place of publication
United States
Publishing group
Taylor & Francis Inc
Target group
College/higher education
Professional and scholarly
Dimensions
Height: 229 mm
Width: 152 mm
ISBN-13
978-0-8133-8920-2 (9780813389202)
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Schweitzer Classification
Content
Introduction; Writers, Readers, Society, and Literary Change; Fantastic Prose as an Escape from the Literature of Purpose; Socialist Realists in Space; Between Fantasy and Reality; Peasant Dreamers, Shattered Dreams: Village Utopians; Mikhail Bulgakovs Disciples in Soviet Literature; Envisioning the End: The Apocalyptic Novels of Glasnost; Alternative Literature I: The Thieves of Language; Alternative Literature II: Games Women Play; Conclusion