Brazilian Popular Music and Globalization
1st Edition
Published on 24. November 2015
Book
Hardback
272 pages
978-1-138-16914-2 (ISBN)
Description
This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century.
More details
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 21 mm
Weight
594 gr
ISBN-13
978-1-138-16914-2 (9781138169142)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Charles A. Perrone | Christopher Dunn
Brazilian Popular Music and Globalization
E-Book
01/2013
Routledge
€68.49
Available for download
Charles A. Perrone | Christopher Dunn
Brazilian Popular Music and Globalization
E-Book
01/2013
Routledge
€68.49
Available for download
Charles A. Perrone | Christopher Dunn
Brazilian Popular Music and Globalization
Book
09/2001
Routledge
€74.80
Shipment within 15-20 days
Persons
Charles A. Perrone (PhD Texas 1985) is Professor of Portuguese and Luso-Brazilian Literature and Culture at the University of Florida. He is the author of Masters of Contemporary Brazilian Song: MPB 1965-1985 (Texas, 1989), Seven Faces: Brazilian Poetry since Modernism (Duke, 1996) and translators/editor of several books. He lives in Jacksonville, FL.Christopher Dunn (Ph D Brown 1996) is Assistant Professor at Tulane University, where he holds a joint appointment in the Department of Spanish and Portuguese and in the African and African Diaspora Studies Program. He is the author of a forthcoming book on the Tropicalist movement in Brazil and a contributor to Encarta on Afro-Brazilian topics including new popular music. He lives in New Orleans, LA.
Content
List of Illustrations Preface 1. Chiclete con Banana: Internationalization in Brazilian Popular Music, Charles A. Perrone and Christopher Dunn 2. Carmen Mirandadada, Caetano Veloso 3. Myth, Melopeia, and Mimesis: Black Orpheus, Orfeu, and Internationalization in Brazilian Popular Music, Charles A. Perrone 4. Tropicalia, Counterculture, and the Diasporic Imagination in Brazil, Christopher Dunn 5. Globalizing Caetano Veloso: Globalization as Seen through a Brazilian Pop Prism, Liv Socik 6. Cannibals, Mutants, and Hipsters: The Tropicalist Revival, John J. Harvey 7. Defeated Rallies, Mournful Anthems, and the Origins of Brazilian Heavy Metal, Idleber Avelar 8. The Localization of Global Funk in Bahia and in Rio, Livio Sansone 9. World of Fantasy, Fantasy of the World: Geographic Space and Representation of Identity in the Carnival of Salvador, Bahia, Milton Araujo Moura 10. Songs of Olodum: Ethnicity, Activism, and Art in Globalized Carnival Community, Piers Armstrong 11. Fogo na Babilonia: Reggae, Black Counterculture, and Globalization in Brazil, Osmundo de Araujo Pinho 12. Reggae and Samba-Reggae in Bahia: A Case of Long-distance Belonging, Antonio J. V. dos Santos Godi 13. Black or Brau: Music and Subjectivity in a Global Context, Ari Lima 14. Turned-Around Beat: Maracatu de Basque Virado amd Chico Science, Larry Crook 15. Self-Discovery in Brazilian Popular Music: Mestre Ambrosio, John Murphy 16. Good Blood in the Veins of This Brazilian Rio, or a Cannibalist Transnationalism, Fredrick Moehn Contributors Copyrights and Acknowledgements Index