
Tastemaker
Elizabeth Gordon, House Beautiful, and the Postwar American Home
Monica Penick(Author)
Yale University Press
Published on 6. June 2017
Book
Hardback
260 pages
978-0-300-22176-3 (ISBN)
Description
A riveting and superbly illustrated account of the enigmatic House Beautiful editor's profound influence on mid-century American taste
From 1941 to 1964, House Beautiful magazine's crusading editor-in-chief Elizabeth Gordon introduced and promoted her vision of "good design" and "better living" to an extensive middle-class American readership. Her innovative magazine-sponsored initiatives, including House Beautiful's Pace Setter House Program and the Climate Control Project, popularized a "livable" and decidedly American version of postwar modern architecture. Gordon's devotion to what she called the American Style attracted the attention of Frank Lloyd Wright, who became her ally and collaborator. Gordon's editorial programs reshaped ideas about American living and, by extension, what consumers bought, what designers made, and what manufacturers brought to market. This incisive assessment of Gordon's influence as an editor, critic, and arbiter of domestic taste reflects more broadly on the cultures of consumption and identity in postwar America. Nearly 200 images are featured, including work by Ezra Stoller, Maynard Parker, and Julius Shulman. This important book champions an often-neglected source-the consumer magazine-as a key tool for deepening our understanding of mid-century architecture and design.
From 1941 to 1964, House Beautiful magazine's crusading editor-in-chief Elizabeth Gordon introduced and promoted her vision of "good design" and "better living" to an extensive middle-class American readership. Her innovative magazine-sponsored initiatives, including House Beautiful's Pace Setter House Program and the Climate Control Project, popularized a "livable" and decidedly American version of postwar modern architecture. Gordon's devotion to what she called the American Style attracted the attention of Frank Lloyd Wright, who became her ally and collaborator. Gordon's editorial programs reshaped ideas about American living and, by extension, what consumers bought, what designers made, and what manufacturers brought to market. This incisive assessment of Gordon's influence as an editor, critic, and arbiter of domestic taste reflects more broadly on the cultures of consumption and identity in postwar America. Nearly 200 images are featured, including work by Ezra Stoller, Maynard Parker, and Julius Shulman. This important book champions an often-neglected source-the consumer magazine-as a key tool for deepening our understanding of mid-century architecture and design.
Reviews / Votes
Finalist for the 2018 Modernist Studies Association Book PrizeWinner of the 2019 SESAH Publication Awards, sponsored by the Southeast Chapter of the Society of Architectural Historians
"This book is extremely important and timely. The intelligence and seriousness with which it frames questions about taste and modernism will move the conversation forward. It is a game changer in both architectural history and design studies."-Alice Friedman, Wellesley College
More details
Language
English
Place of publication
United States
Product notice
Cloth over boards
Illustrations
96 color + 90 b-w illus.
Dimensions
Height: 287 mm
Width: 215 mm
Thickness: 25 mm
Weight
1280 gr
ISBN-13
978-0-300-22176-3 (9780300221763)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
06/2017
1st Edition
De Gruyter
€95.19
Available for download
Person
Monica Penick is assistant professor in the Design Studies Department at the University of Wisconsin-Madison.