
Sounds of the South
Daniel W. Patterson(Editor)
Duke University Press
Will be published approx. on 16. October 1992
Book
Paperback/Softback
240 pages
978-0-8223-1343-4 (ISBN)
Description
Beyond the familiar forms of Mississippi Delta Blues and mainstream country music, the vernacular music of the South also ranges from the ceremonial music of Native Americans, to "shout" singing in South Carolina sea islands, Cajun fiddling, and Mexican-American conjunto music. Sounds of the South assesses past efforts to document these richly varied musical forms and the challenges facing future work.
"Sounds of the South"-a 1989 conference that gathered record collectors, folklorists, musicians, record producers, librarians, archivists, and traditional music lovers-celebrated the official opening of the Southern Folklife Collection with the John Edwards Memorial Collection at the library of the University of North Carolina, Chapel Hill. Based on that conference, Sounds of the South includes Bill Malone's account of his own career as fan and scholar of country music, Paul Oliver on European blues scholarship, and Ray Funk on researching Black Gospel Quartets.
The contributors look at a number of topics related to the role of the archivist/folklorist in recording and documenting the music of the South-evaluating past fieldwork and current needs in documentation, archival issues, prospects for the publication of recordings, and changes in music and technology. Written in an accessible style, this volume will be of interest to all those concerned with preserving the music of the American South.
"Sounds of the South"-a 1989 conference that gathered record collectors, folklorists, musicians, record producers, librarians, archivists, and traditional music lovers-celebrated the official opening of the Southern Folklife Collection with the John Edwards Memorial Collection at the library of the University of North Carolina, Chapel Hill. Based on that conference, Sounds of the South includes Bill Malone's account of his own career as fan and scholar of country music, Paul Oliver on European blues scholarship, and Ray Funk on researching Black Gospel Quartets.
The contributors look at a number of topics related to the role of the archivist/folklorist in recording and documenting the music of the South-evaluating past fieldwork and current needs in documentation, archival issues, prospects for the publication of recordings, and changes in music and technology. Written in an accessible style, this volume will be of interest to all those concerned with preserving the music of the American South.
More details
Series
Language
English
Place of publication
North Carolina
United States
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (trade)
Illustrations
15 b&w photographs
Dimensions
Height: 217 mm
Width: 141 mm
Thickness: 18 mm
Weight
318 gr
ISBN-13
978-0-8223-1343-4 (9780822313434)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Daniel W. Patterson is Kenan Professor of English at the University of North Carolina, Chapel Hill. He is the coeditor, with Charles W. Zug III, of Arts in Earnest: North Carolina Folklife (Duke University Press).
Content
List of Illustrations ix
Preface / Michael T. Casey, George M. Holt, and Daniel W. Patterson xi
Introduction / Daniel W. Patterson 1
Part One: Personal and Historical Perspectives
Evaluating Our Work and Ourselves / Bess Lomax Hawes 31
Country Music and the Academy: A Thirty-Year Professional Odyssey / Bill C. Malone 41
Overseas Blues: Europeans and the Blues / Paul Oliver 57
Looking for Henry Reed: Confessions of a Revivalist / Thomas Carter 73
Research Approaches to Black Gospel Quartets / Ray Funk 90
Part Two: Archival Preservation of Southern Music
The John Edwards Memorial Foundation: Its History and Significance / Norm Cohen 113
The History of the Southern Folklife Collection: The Era of Surprise / Daniel W. Patterson 127
The History of the Southern Folklife Collection: Recent Developments 133
Who's Got What: A Survey of Southern Traditional Music in Public Repositories / Walter C. West and Michael T. Casey 140
The Center for Acadian and Creole Folklore: An Experiment in Guerilla Academics / Barry Ancelet 148
Part Three: Issues for the Future
Life as We Knew It / Allen Tullos 157
Turning Inward and Outward: Retrospective and Prospective Considerations in the Recording of Vernacular Music in the South / David E. Whisnant 165
Afterword: "Our Music": Exhit Ahead / Archie Green 183
Notes 191
Contributors and Conference Speakers 207
Index 215
Preface / Michael T. Casey, George M. Holt, and Daniel W. Patterson xi
Introduction / Daniel W. Patterson 1
Part One: Personal and Historical Perspectives
Evaluating Our Work and Ourselves / Bess Lomax Hawes 31
Country Music and the Academy: A Thirty-Year Professional Odyssey / Bill C. Malone 41
Overseas Blues: Europeans and the Blues / Paul Oliver 57
Looking for Henry Reed: Confessions of a Revivalist / Thomas Carter 73
Research Approaches to Black Gospel Quartets / Ray Funk 90
Part Two: Archival Preservation of Southern Music
The John Edwards Memorial Foundation: Its History and Significance / Norm Cohen 113
The History of the Southern Folklife Collection: The Era of Surprise / Daniel W. Patterson 127
The History of the Southern Folklife Collection: Recent Developments 133
Who's Got What: A Survey of Southern Traditional Music in Public Repositories / Walter C. West and Michael T. Casey 140
The Center for Acadian and Creole Folklore: An Experiment in Guerilla Academics / Barry Ancelet 148
Part Three: Issues for the Future
Life as We Knew It / Allen Tullos 157
Turning Inward and Outward: Retrospective and Prospective Considerations in the Recording of Vernacular Music in the South / David E. Whisnant 165
Afterword: "Our Music": Exhit Ahead / Archie Green 183
Notes 191
Contributors and Conference Speakers 207
Index 215