
Discipline and Varnish
Rhetoric, Subjectivity, and Counter-Memory in the Museum
Thomas Patin(Author)
Peter Lang Verlag
Will be published approx. on 1. April 1999
Book
Hardback
157 pages
978-0-8204-3806-1 (ISBN)
Description
The Museum of Modern Art in New York combines the rhetoric of modernist domestic architecture, formalist art theory, and modernist museology in its exhibition spaces. Discipline and Varnish investigates how this combination of rhetorical devices has produced not only a persuasive understanding of the history of modernist art, but also a set of «subjectivity effects» that uses the formalist notion of «autonomy» as a powerful model for subjectivity. However, MOMA's rhetoric of display eventually contradicts its three-dimensional discourse on art and aesthetics, undermining the museum's model for subjectivity as well. This study ends with a look at possible alternative relations between museology and subjectivity through analyses of the Wexner Center for the Arts and the plans for the National Museum of the American Indian.
More details
Series
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
Edition type
New edition
Illustrations
6 fig.
Dimensions
Height: 23 cm
Width: 16 cm
Weight
360 gr
ISBN-13
978-0-8204-3806-1 (9780820438061)
Schweitzer Classification
Person
The Author: Thomas Patin is Assistant Professor of Art History at Ohio University. He received his Ph.D. in Art History at the University of Washington, Seattle. He was awarded the College Art Association's Professional Development Fellowship in American Art for 1995-1997. In addition to numerous articles about art and architecture and reviews of contemporary art, he co-authored Art Words: A Glossary of Contemporary Art Theory.