
Apocalypse in Crisis
Fiction from 'The War of the Worlds' to 'Dead Astronauts'
Christopher Palmer(Author)
Liverpool University Press
Published on 2. August 2024
Book
Paperback/Softback
352 pages
978-1-83553-804-3 (ISBN)
Description
Apocalypse is traditional and familiar, and it is an actual
threat; it is feared, desired, and banal. Apocalypse in Crisis discusses
fictions from the 1940s to the present, examining shifts in the imagination of
apocalypse from the postwar British disaster novels, through novels of the
countercultural sixties, feminist interventions, and recent revisions and
critiques. As empire fades, ideas of sexuality
shift, and attitudes to nature and to the city change, so apocalyptic fictions
change. The individual subject is
asserted, immolated, transcended, abandoned; individual deaths are substituted
for mass death; death is faked or erased. The subjects and survivors of catastrophe set about re-establishing
civilization, or they abandon it, finding new ways of being and of dying; they
respond to it when it comes from outside, as an invasion, or they are immersed
in it, as it shifts from being an event to being a condition. They flee the city for the country, or accept
that they must draw on the energies of the world city in order to survive.
The book includes detailed discussion of novels by H. G. Wells, George M. Stewart, Nevil Shute, John
Wyndham, Arthur C. Clarke, J. G. Ballard, Brian Aldiss, Doris Lessing, Angela
Carter, Anna Kavan, Arno Schmidt, Anthony Burgess, Ursula K. Le Guin, Tom
Perrotta, Douglas Coupland, Don DeLillo, China Mieville, Jeff VanderMeer, and
Kim Stanley Robinson.
threat; it is feared, desired, and banal. Apocalypse in Crisis discusses
fictions from the 1940s to the present, examining shifts in the imagination of
apocalypse from the postwar British disaster novels, through novels of the
countercultural sixties, feminist interventions, and recent revisions and
critiques. As empire fades, ideas of sexuality
shift, and attitudes to nature and to the city change, so apocalyptic fictions
change. The individual subject is
asserted, immolated, transcended, abandoned; individual deaths are substituted
for mass death; death is faked or erased. The subjects and survivors of catastrophe set about re-establishing
civilization, or they abandon it, finding new ways of being and of dying; they
respond to it when it comes from outside, as an invasion, or they are immersed
in it, as it shifts from being an event to being a condition. They flee the city for the country, or accept
that they must draw on the energies of the world city in order to survive.
The book includes detailed discussion of novels by H. G. Wells, George M. Stewart, Nevil Shute, John
Wyndham, Arthur C. Clarke, J. G. Ballard, Brian Aldiss, Doris Lessing, Angela
Carter, Anna Kavan, Arno Schmidt, Anthony Burgess, Ursula K. Le Guin, Tom
Perrotta, Douglas Coupland, Don DeLillo, China Mieville, Jeff VanderMeer, and
Kim Stanley Robinson.
Reviews / Votes
"The individualreadings in the book are often illuminating, particularly in the discussion of
points of style, an issue that is often overlooked in discussion of sf texts."
Connor Pitetti, Science Fiction Studies "The individual
readings in the book are often illuminating, particularly in the discussion of
points of style, an issue that is often overlooked in discussion of sf texts."
Connor Pitetti, Science Fiction Studies
More details
Series
Language
English
Place of publication
Liverpool
United Kingdom
Target group
Professional and scholarly
Dimensions
Height: 234 mm
Width: 156 mm
ISBN-13
978-1-83553-804-3 (9781835538043)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Christopher Palmer is a Research Associate in the School of English at La Trobe University.
Content
Introduction: Apocalypse Now and Then
Part 1: The Nineteenth Century to the Postwar Disaster Novels
1. Modern Apocalypses and Modernism: Enter Science Fiction2. The Postwar Disaster Novels: Apocalypse Contained
Part 2: Post-Imperial Subjects
3. Style and Immolation: J. G. Ballard 4. Apocalypse in 1969: Brian Aldiss and Angela Carter5. Darker Imaginations, Harder Lessons: Anna Kavan, Doris Lessing
Part 3: Resistance and Revision
6. Apocalypse, Comedy, Multiplicity: Arno Schmidt, Anthony Burgess, Ursula K. Le Guin7. Apocalypse and Everyday Life: Tom Perrotta, Douglas Coupland8. Apocalypse in the Contemporary World City: Don DeLillo, China Mieville9. Beyond Apocalypse: Two Paths: Jeff VanderMeer, Kim Stanley Robinson
Part 1: The Nineteenth Century to the Postwar Disaster Novels
1. Modern Apocalypses and Modernism: Enter Science Fiction2. The Postwar Disaster Novels: Apocalypse Contained
Part 2: Post-Imperial Subjects
3. Style and Immolation: J. G. Ballard 4. Apocalypse in 1969: Brian Aldiss and Angela Carter5. Darker Imaginations, Harder Lessons: Anna Kavan, Doris Lessing
Part 3: Resistance and Revision
6. Apocalypse, Comedy, Multiplicity: Arno Schmidt, Anthony Burgess, Ursula K. Le Guin7. Apocalypse and Everyday Life: Tom Perrotta, Douglas Coupland8. Apocalypse in the Contemporary World City: Don DeLillo, China Mieville9. Beyond Apocalypse: Two Paths: Jeff VanderMeer, Kim Stanley Robinson