
Critical Rhetorics of Race
Kent A. Ono(Author)
Michael G. Lacy(Editor)
New York University Press
Published on 11. July 2011
Book
Paperback/Softback
368 pages
978-0-8147-6223-3 (ISBN)
Description
According to many pundits and cultural commentators, the U.S. is enjoying a post-racial age, thanks in part to Barack Obama's rise to the presidency. This high gloss of optimism fails, however, to recognize that racism remains ever present and alive, spread by channels of media and circulated even in colloquial speech in ways that can be difficult to analyze.
In this groundbreaking collection edited by Michael G. Lacy and Kent A. Ono, scholars seek to examine this complicated and contradictory terrain while moving the field of communication in a more intellectually productive direction. An outstanding group of contributors from a range of academic backgrounds challenges traditional definitions and applications of rhetoric. From the troubling media representations of black looters after Hurricane Katrina and rhetoric in news coverage about the Columbine and Virginia Tech massacres to cinematic representations of race in Crash, Blood Diamond, and Quentin Tarantino's films, these essays reveal complex intersections and constructions of racialized bodies and discourses, critiquing race in innovative and exciting ways. Critical Rhetorics of Race seeks not only to understand and navigate a world fraught with racism, but to change it, one word at a time.
In this groundbreaking collection edited by Michael G. Lacy and Kent A. Ono, scholars seek to examine this complicated and contradictory terrain while moving the field of communication in a more intellectually productive direction. An outstanding group of contributors from a range of academic backgrounds challenges traditional definitions and applications of rhetoric. From the troubling media representations of black looters after Hurricane Katrina and rhetoric in news coverage about the Columbine and Virginia Tech massacres to cinematic representations of race in Crash, Blood Diamond, and Quentin Tarantino's films, these essays reveal complex intersections and constructions of racialized bodies and discourses, critiquing race in innovative and exciting ways. Critical Rhetorics of Race seeks not only to understand and navigate a world fraught with racism, but to change it, one word at a time.
Reviews / Votes
"A timely, imaginative and energetic enlargement of the discourse on identity rhetorics in the 21st century. Through critical examinations of some of the most visible contemporary communications moments, these authors impel us to revisit the temptation to embrace a & beyond ideology, race, and interest mentality." - Aaron David Gresson III,The Pennsylvania State University "Many other scholarly works have, of course, explored issues of race depiction in the media...but few have challenged traditional definitions of race and diversity while advocating for change in such a germane, timely manner." (CHOICE)More details
Series
Language
English
Place of publication
New York
United States
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (trade)
Dimensions
Height: 231 mm
Width: 154 mm
Thickness: 22 mm
Weight
463 gr
ISBN-13
978-0-8147-6223-3 (9780814762233)
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Schweitzer Classification
Other editions
Additional editions

Kent A. Ono | Michael G. Lacy
Critical Rhetorics of Race
E-Book
07/2011
New York University Press
€0.00
Available for download

Kent A. Ono | Michael G. Lacy
Critical Rhetorics of Race
E-Book
07/2011
New York University Press
€142.99
Available for download
Persons
Kent A. Ono is Chair of the Department of Communication at the University of Utah. He is author of Contemporary Media Culture and the Remnants of a Colonial Past (2009) and co-author of Asian Americans and the Media with Vincent Pham (2009) and Shifting Borders: Rhetoric, Immigration, and California's Proposition 187 with John Martin Sloop (2002).
Michael G. Lacy is Independent Scholar in Chicago, Illinois.
Michael G. Lacy is Independent Scholar in Chicago, Illinois.
Content
Acknowledgments Foreword Raymie E. McKerrow Introduction Michael G. Lacy and Kent A. OnoPart I: Racialized Masculinities 1 ApocalypseMichael G. Lacy and Kathleen C. Haspel 2 Tales of TragedyCynthia Willis-Chun 3 N-word vs. F-word, Black vs. GayCatherine R. SquiresPart II: Whiteness 4 Quentin Tarantino in Black and White Sean Tierney 5 Patrolling National Identity, Masking White SupremacyMichelle A. Holling 6 Control, Discipline, and PunishRachel Alicia Griffin and Bernadette Marie CalafellPart III: Vernacular Resistances 7 Declarations of IndependenceJacqueline Bacon 8 Transgressive Rhetoric in Deliberative Democracy: The Black Press Michael Huspek 9 Bling FlingRoopali MukherjeePart IV: Racialized Complexities and Neocolonialism 10 The Rhythm of AmbitionAimee Carrillo Rowe, Sheena Malhotra, and Kimberlee Perez 11 Inscribing Racial Bodies and Relieving ResponsibilityJamie Moshin and Ronald L. Jackson II 12 Cinematic Representation and Cultural CritiqueMarouf Hasian, Jr., Carol W. Anderson, and Rulon Wood 13 Abstracting and De-Racializing DiversityRona Tamiko HalualaniBibliography About the Contributors Index