
Performing Russia
Folk Revival and Russian Identity
Laura Olson(Author)
Routledge (Publisher)
1st Edition
Published on 22. January 2004
Book
Paperback/Softback
296 pages
978-0-415-40617-8 (ISBN)
Description
This book examines folk music and dance revival movements in Russia, exploring why this folk culture has come to represent Russia, how it has been approached and produced, and why memory and tradition, in these particular forms, have taken on particular significance in different periods. Above all it shows how folk "tradition" in Russia is an artificial cultural construct, which is periodically reinvented, and it demonstrates in particular how the "folk revival" has played a key role in strengthening Russian national consciousness in the post-Soviet period.
Reviews / Votes
'This book offers valuable insights into post-Soviet Russian society, culture, and grass-roots political developments.' - MLR, 102.1, 2007'Olsen has a talent for clear exposition and cogent summary, as she shows in her survey of the appropriation of folk song in the eighteenth century by the literate classes and the main trends in folk-song performance in the nineteenth.'
- MLR, 102.1, 2007
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Professional and scholarly
Postgraduate and Professional
Illustrations
1 s/w Tabelle
1 Tables, black and white
Dimensions
Height: 234 mm
Width: 156 mm
Thickness: 16 mm
Weight
453 gr
ISBN-13
978-0-415-40617-8 (9780415406178)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
07/2004
Routledge
€77.99
Available for download

E-Book
07/2004
Routledge
€77.99
Available for download

Book
01/2004
1st Edition
Routledge
€267.41
Article not available at the moment
Person
Laura J. Olson is Assistant Professor of Russian at the University of Colarado, Boulder. She has been researching and performing Slavic folk music since 1987.
Content
Introduction 1. The Invention and Re-invention of Folk Music in Pre-Revolutionary Russia 2. A Unified National Style: Folklore Performance in the Soviet Context 3. The Origins of the Russian Folk Revival Movement 4. Revival and Identity after Socialism 5. Power and Ritual: Russian Nationalism and Representations of the Folk, Orthodoxy, Imperial Russia and the Cossackry 6. Performing Masculinity: Cossack Myth and Reality in Post-Soviet Revival Movements 7. The Village Revives 8. Making Memory: How Urban Intellectuals Re-invent Russian Village Traditions