
Writing the Yugoslav Wars
Literature, Postmodernism, and the Ethics of Representation
Dragana Obradovic(Author)
University of Toronto Press
Published on 7. November 2016
Book
Hardback
232 pages
978-1-4426-2954-7 (ISBN)
Description
In Writing the Yugoslav Wars, Dragana Obradovic analyses how the Yugoslav wars of secession helped shape the region's literary culture. Obradovic argues that the crisis of the country's disintegration posed an ethical challenge to self-identified postmodernists. This book takes a transnational approach to literatures of the former Yugoslavia that have been, since the 1990s, studied separately, in line with geopolitical divisions. This post-socialist conflict was one of the moments that reshaped postmodernism for both local and international thinkers, much in the same way modernism was shaped by World War I and the advent of mechanized warfare.
Reviews / Votes
'Highly recommended. Graduate students, researchers, faculty.'- P. Steiner (Choice Magazine vol 54:11:2017) "[Writing the Yugoslav Wars] fulfills its promise of meticulous analysis of literary discourse, and deserves praise for this."
- Guido Snel (Slavic Review Vol 77:01:2020)
More details
Language
English
Place of publication
Toronto
Canada
Target group
College/higher education
Product notice
sewn/stitched
Cloth over boards
With dust jacket
Dimensions
Height: 236 mm
Width: 162 mm
Thickness: 22 mm
Weight
500 gr
ISBN-13
978-1-4426-2954-7 (9781442629547)
Schweitzer Classification
Person
Dragana Obradovic is an associate professor in the Department of Slavic Languages and Literatures at the University of Toronto.
Content
Acknowledgements
Introduction
Chapter 1: War, Postmodernism, and Literary Immanence
Chapter 2: The Spectacle of the Siege
Chapter 3: The Phantasmagoria and Seduction of Kitsch
Chapter 4: The Search for a Language of the Historical Present
Chapter 5: The Quickened Moral Pulse
Conclusion
Notes
Bibliography
Index
Introduction
Chapter 1: War, Postmodernism, and Literary Immanence
Chapter 2: The Spectacle of the Siege
Chapter 3: The Phantasmagoria and Seduction of Kitsch
Chapter 4: The Search for a Language of the Historical Present
Chapter 5: The Quickened Moral Pulse
Conclusion
Notes
Bibliography
Index