
Printmaking at the Edge
45 Artists: 16 Countries: a New Perspective
Richard Noyce(Author)
A & C Black Publishers Ltd
Published on 20. April 2006
Book
Hardback
144 pages
978-0-7136-6784-4 (ISBN)
Description
Printmaking at the Edge explores the innovative techniques printmakers are using today. The topics covered range from the challenges of new technology and materials (for example, the latest high-tech plates and speciality papers and inks) to the persistence of traditional techniques and the new directions they are taking (for example, digital techniques being used with silkscreen and wood engraving). All scales and stages of printmaking are dealt with. This book is a vital source of information for students and includes interviews with prominent international artists, revealing the secrets behind their work and the possibilities for the future. Included is the work of artists from UK, USA, Canada, Japan, Poland, Argentina, Nicaragua, Belgium, Lithuania, Iceland, Austria, Finland, Sweden, Iraq, Korea, Taiwan and Australia.
Reviews / Votes
"This book is a welcome attempt to look beyond familiar names and high profile institutions, to discover what is happening at 'the edge'." Printmaking Today (Spring 2007) 'For a printmaking-savvy audience, this is a book to read and critically assess... The writing is excellent.' Graphic Impressions ReviewMore details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Product notice
With printed dust jacket
Illustrations
170 colour
Dimensions
Height: 276 mm
Width: 219 mm
Weight
894 gr
ISBN-13
978-0-7136-6784-4 (9780713667844)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Richard Noyce is well-known in the printmaking world and often gives keynote addresses at international printmaking conferences and ehibitions/contests. He writes regularly on contemporary art and has had two previous books published on printmaking.