Subversive Spanish Cinema
The Politics of Performance
Published on 20. August 2020
Book
Hardback
240 pages
978-1-78831-009-3 (ISBN)
Description
A camp lipsynched routine by three air stewards distracts unsuspecting passengers from the fact that their plane is to make a crash landing. Performance functions as a diversion from unsavoury realities. In this way, Pedro Almodovar's 2013 film I'm So Excited adopts a strategy of subversive anti-establishment censor-evading filmmaking practices under Franco. Contemporary cinematic performance in Spain intersects with politics to provide a platform for views and voices that do not conform to the dominant political narrative.
An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph to focus on performance in this context. The book analyses interactions between performance and politics in technical and conceptual terms considering, for example, performance styles, the narrative role of performance and political interventions by actors such as Javier Bardem and Juan Diego Botto. Ultimately, Subversive Spanish Cinema: The Politics of Performance posits performance, within the specific context of contemporary Spanish cinema, as a politically-potent device and proposes that it is precisely for this reason that the arts have borne the brunt of aggressive austerity measures enforced by Spain's conservative government in recent years.
An essential text for scholars, students and aficionados of Spanish cinema, Subversive Spanish Cinema: The Politics of Performance is the first single-authored monograph to focus on performance in this context. The book analyses interactions between performance and politics in technical and conceptual terms considering, for example, performance styles, the narrative role of performance and political interventions by actors such as Javier Bardem and Juan Diego Botto. Ultimately, Subversive Spanish Cinema: The Politics of Performance posits performance, within the specific context of contemporary Spanish cinema, as a politically-potent device and proposes that it is precisely for this reason that the arts have borne the brunt of aggressive austerity measures enforced by Spain's conservative government in recent years.
Reviews / Votes
Noble's detailed attention in her nuanced filmic analysis is admirable, as is her holistic approach to performance ... It is precisely through this nuanced examination of seemingly disparate material that this book provides an original and significant contribution paving the way for further work in this direction. * Studies in European Cinema * Taking into account the tensions between craft and public persona and adopting what she calls a "holistic view of performance", Noble's carefully researched, lucid, and significant book examines contemporary Spanish film in the light of the ever-shifting political context. -- Dr Niamh Thornton, Reader in Latin American Studies, University of Liverpool, UK In this bold book, Noble presents performance in cinema (in varied manifestations) as a heightened, privileged moment, opening out onto exhilarating new understandings of the Spanish past, identity politics, the political landscape and even, strikingly, as therapy. -- Sarah Wright, Professor of Hispanic Studies, Royal Holloway University, UKMore details
Language
English
Place of publication
London
United Kingdom
Publishing group
Bloomsbury Publishing PLC
Target group
College/higher education
Illustrations
24 bw illus
Dimensions
Height: 236 mm
Width: 160 mm
Thickness: 18 mm
Weight
520 gr
ISBN-13
978-1-78831-009-3 (9781788310093)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
07/2020
1st Edition
Bloomsbury Academic
€35.49
Available for download
Person
Fiona Noble is a researcher of contemporary Spanish cinema and visual culture. She has a PhD from the University of Aberdeen and has worked as a Teaching Fellow at Durham University and the University of Aberdeen. She has published on intercultural lesbian relationships in contemporary Spanish cinema, on the child in Spanish cinema and on corporeal representations in the work of Salvador Dali.
Content
Introduction
Chapter One - Performing Pastness
Chapter Two - Performing Identities
Chapter Three - Metaperformances
Chapter Four - Performance as Catharsis and Therapy
Epilogue
References
Notes
Chapter One - Performing Pastness
Chapter Two - Performing Identities
Chapter Three - Metaperformances
Chapter Four - Performance as Catharsis and Therapy
Epilogue
References
Notes