Introduction to Documentary, Fourth Edition
4th Edition
Published on 6. August 2024
Book
Hardback
304 pages
978-0-253-07014-2 (ISBN)
Description
The fourth edition of Bill Nichols's best-selling text, Introduction to Documentary, has been vastly altered in its entirety to bring this indispensable textbook up to date and reconceptualize aspects of its treatment of documentaries past and present. Here Nichols, with Jaimie Baron, has edited each chapter for clarity and ease of use and expanded the book with updates and new ideas.
Featuring abundant examples and images, Introduction to Documentary, Fourth Edition is designed to facilitate a rich understanding of how cinema can be used to document the historical world as it is seen by a wide variety of filmmakers. Subjectivity, expressivity, persuasiveness, and credibility are crucial factors that move documentary film away from objective documentation and toward the thought-provoking realm of arguments, perceptions, and perspectives that draw from a filmmaker's unique sensibility to help us see the world as we have not seen it before. Exploring ethics, history, different modes of documentary, key social issues addressed, and both the origins and evolution of this form, this updated volume also offers guidance on how to write about documentaries and how to begin the process of making one.
Introduction to Documentary, Fourth Edition will be of use not only to film students but also those in adjacent fields where visual representations of reality play an important role: journalism, sociology, anthropology, feminist and ethnic studies, among others.
Featuring abundant examples and images, Introduction to Documentary, Fourth Edition is designed to facilitate a rich understanding of how cinema can be used to document the historical world as it is seen by a wide variety of filmmakers. Subjectivity, expressivity, persuasiveness, and credibility are crucial factors that move documentary film away from objective documentation and toward the thought-provoking realm of arguments, perceptions, and perspectives that draw from a filmmaker's unique sensibility to help us see the world as we have not seen it before. Exploring ethics, history, different modes of documentary, key social issues addressed, and both the origins and evolution of this form, this updated volume also offers guidance on how to write about documentaries and how to begin the process of making one.
Introduction to Documentary, Fourth Edition will be of use not only to film students but also those in adjacent fields where visual representations of reality play an important role: journalism, sociology, anthropology, feminist and ethnic studies, among others.
Reviews / Votes
"Since its first edition in 2001, Bill Nichols' Introduction to Documentary is the leading textbook on nonfictional cinema. Not exactly a how-to-do guide, a history of documentaries, or an assessment of the specific ethical and aesthetic issues of this production, Nichols's book became an instant classic discussing all of this with clarity and originality for the beginner and the academic, the filmmaker and the viewer. Each part organically updated with new questions and filmic variations, its fourth edition, co-written with Jaimie Baron, offers an even more complex and current approach to the essential book that has been guiding us through the mist of documentary film."-Amir Labaki, author of Introduction to Brazilian Documentary"In Introduction to Documentary, Bill Nichols created the first comprehensive taxonomy of documentary film form-one that has given generations of students and scholars a critical language with which they can critically analyze and understand the many complex forms of documentary film. This fourth edition, now joined by scholar Jaimie Baron, uses the latest films from mainstream to the avant-garde to analyze ever-evolving documentary film practices in relation to recent theoretical debates including relationships between fact and fiction, the ethics of representation, point of view, new technologies, and hybrid forms. Written with clarity and generosity, the volume is an essential resource for film and media students, scholars and filmmakers alike."-Jeffrey Skoller, editor of Postwar: The Films of Daniel Eisenberg
More details
Edition
Fourth Edition
Language
English
Place of publication
Bloomington, IN
United States
Target group
Professional and scholarly
Edition type
New edition
Product notice
sewn/stitched
Cloth over boards
Illustrations
130 b&w illus., 5 b&w tables
Dimensions
Height: 257 mm
Width: 178 mm
Thickness: 25 mm
Weight
699 gr
ISBN-13
978-0-253-07014-2 (9780253070142)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Bill Nichols | Jaimie Baron
Introduction to Documentary, Fourth Edition
E-Book
08/2024
4th Edition
Indiana University Press
€24.49
Available for download
Persons
Bill Nichols is Professor Emeritus of Cinema at San Francisco State University. He is author of Representing Reality: Issues and Concepts in Documentary; Blurred Boundaries: Questions of Meaning in Contemporary Culture; Engaging Cinema: An Introduction to Film Studies; and Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. He is also editor of Movies and Methods, Volumes I and II.Jaimie Baron is Lecturer in Film and Media Studies at the University of California, Berkeley. She is author of The Archive Effect: Found Footage and the Audiovisual Experience of History and Reuse, Misuse, Abuse: The Ethics of Audiovisual Appropriation in the Digital Era as well as many journal articles, book chapters, essays, and reviews. She is founder and director of the Festival of (In)appropriation, a yearly international festival of short experimental found-footage films and videos. She is also a cofounder and coeditor of Docalogue, an online space for scholars and filmmakers to engage in conversations about contemporary documentary, and the Docalogue book series. She is a 2022-23 recipient of a Harvard Radcliffe Fellowship.
Content
Acknowledgments
Introduction
1. How Can We Define Documentary Film?
2. What Are the Constituent Elements of Documentary Film?
3. What Ethical Issues Arise in Documentary Filmmaking?
4. What Characterizes the Voice of Documentary and Its Relation to Storytelling?
5. What Are the Rhetorical and Poetic Contributions to Documentary?
6. How Did Documentary Filmmaking Get Started?
7. How Has Documentary Represented the Past?
8. What Are the Expository and Performative Modes of Documentary?
9. What Are the Observational and Participatory Modes of Documentary?
10. What Are the Poetic and Reflexive Modes of Documentary?
11. How Did the Nation-State Affect Documentary's Approach to Social Issues?
12. How Have Documentaries Responded to Identity Politics and Social Issues?
13. How Can We Write Effectively about Documentary Films?
14. I Want to Make a Documentary. How Do I Start?
Suggestions for Further Reading
Index
Introduction
1. How Can We Define Documentary Film?
2. What Are the Constituent Elements of Documentary Film?
3. What Ethical Issues Arise in Documentary Filmmaking?
4. What Characterizes the Voice of Documentary and Its Relation to Storytelling?
5. What Are the Rhetorical and Poetic Contributions to Documentary?
6. How Did Documentary Filmmaking Get Started?
7. How Has Documentary Represented the Past?
8. What Are the Expository and Performative Modes of Documentary?
9. What Are the Observational and Participatory Modes of Documentary?
10. What Are the Poetic and Reflexive Modes of Documentary?
11. How Did the Nation-State Affect Documentary's Approach to Social Issues?
12. How Have Documentaries Responded to Identity Politics and Social Issues?
13. How Can We Write Effectively about Documentary Films?
14. I Want to Make a Documentary. How Do I Start?
Suggestions for Further Reading
Index