Indie
An American Film Culture
Published on 4. April 2011
Book
Hardback
304 pages
978-0-231-14464-3 (ISBN)
Description
America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives.
Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.
Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.
Reviews / Votes
Indie makes a significant contribution to the literature on American independent cinema, one that is likely to reshape debates and discussions for several years to come. By broadening the definition of independent cinema beyond simple industrial formulations, Newman charts the contours of 'indie' as a particular taste culture involving particular structures of distribution, consumption, and critical reception. By showing how companies built a niche audience of upscale consumers by targeting their "indie" sensibilities, Newman's book beautifully captures the multidimensional quality of American independent cinema in the nineties and 'naughts': its formal play, multicultural appeal, and 'branding' as off-Hollywood product. -- Jeff Smith, University of Wisconsin, author of The Sounds of Commerce: Marketing Popular Film Music Quirky, 'outside the zombie mainstream,' authentic, alternative, playful, self-conscious: these are terms used to define 'indie' cinema. In this insightful and cogent book, Michael Z. Newman gathers together a set of American films produced since the mid-1980s and considers them as a social art world: films created in a network of festivals and critical praise that collectively make particular viewing requests to elite movie-goers. As an intelligent approach to grappling with this complex phenomenon, Newman's argument is highly successful. -- Janet Staiger, University of Texas, Austin, and author of Media Reception Studies Michael Z. Newman captures the very essence of American independent cinema during the 'Miramax-Sundance' years. Through an emphasis on the viewing strategies that independent films invite their audiences to utilize, his study delves into the core of what makes this type of cinema distinct while also revealing the connective tissue behind the culture that produces and consumes it. Thorough and extremely engaging, Indie is a most welcome addition to the study of American independent film. -- Yannis Tzioumakis, author of American Independent Cinema: An Introduction ...this concrete, objective study makes an important contribution to the ongoing coversation. Highly recommended. ChoiceMore details
Series
Language
English
Place of publication
New York
United States
Target group
Professional and scholarly
Product notice
Trade binding
Illustrations
29 images, 1 table
Dimensions
Height: 229 mm
Width: 152 mm
Weight
539 gr
ISBN-13
978-0-231-14464-3 (9780231144643)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Person
Michael Z. Newman is an assistant professor of media studies in the Department of Journalism and Mass Communication at the University of Wisconsin-Milwaukee. He blogs at zigzigger.blogspot.com.
Content
Acknowledgments Introduction Part I: Context 1. Indie Cinema Viewing Strategies 2. Home Is Where the Art Is: Indie Film Institutions Part II: Character 3. Indie Realism: Character-Centered Narrative and Social Engagement Part III: Formal Play 4. Pastiche as Play: The Coen Brothers 5. Games of Narrative Form: Pulp Fiction and Beyond Part IV: Against Hollywood 6. Indie Opposition: Happiness vs. Juno Notes Bibliography Index