
French Animation History
Richard Neupert(Author)
Wiley (Publisher)
Will be published approx. on 21. February 2014
Book
Paperback/Softback
216 pages
978-1-118-79876-8 (ISBN)
Description
French Animation History is essential reading for anyone interested in the history of animation, illuminating the exceptional place France holds within that history.
* Selected by Choice as an Outstanding Academic Title for 2011
* The first book dedicated exclusively to this history
* Explores how French animators have forged their own visual styles, narrative modes, and technological innovations to construct a distinct national style, while avoiding the clichés and conventions of Hollywood's commercial cartoons
* Includes more than 80 color and black and white images from the most influential films, from early silent animation to the recent internationally renowned Persepolis
* Essential reading for anyone interested in the study of French film
Reviews / Votes
"Neupert expertly integrates the lives and exploits of the animators with the plots of films they produced and with the trends and issues in the profession...Summing Up: Highly recommended." - Choice "French Animation History is a richly informed and highly readable scholarly book that will appeal both to specialists in the field and to the curious interested in this popular, and often neglected, dimension of French filmmaking." - H-France ReviewMore details
Edition
1. Auflage
Language
English
Place of publication
Hoboken
United Kingdom
Publishing group
John Wiley and Sons Ltd
Target group
Professional and scholarly
Dimensions
Height: 22.9 cm
Width: 15.2 cm
Thickness: 1 cm
Weight
300 gr
ISBN-13
978-1-118-79876-8 (9781118798768)
Schweitzer Classification
Other editions
Additional editions
Richard Neupert
French Animation History
Book
03/2011
1st Edition
Wiley
€176.71
Article not available at the moment


Person
Richard Neupert is the Wheatley Professor of the Arts and a Josiah Meigs Distinguished Teaching Professor in Film Studies at the University of Georgia.
Content
Figures ix
Plates xiii
Acknowledgments xvii
1 Introduction: The Rise of Animation in France 1
The Beginnings of Animation 4
Stop-Motion Animation Attractions 19
2 Silent Animation: Emile Cohl and his Artisanal Legacy 22
Emile Cohl, Caricature, and the Rise of Studio Animation 22
Emile Cohl at Pathe, Eclipse, and Eclair Studios 36
Graphic Art and the Cartoon: Lortac and O'Galop 45
But is it "Animation?" French Avant-Garde and Moving Pictures 54
3 French Animation and the Coming of Sound 60
Ladislas Starewich's Fabled Puppets 61
Berthold Bartosch's L'Idee: A Working-Class Allegory 73
Jean Painleve's La Barbe bleue 78
Alexandre Alexeieff, Claire Parker, and the Pinscreen 82
Niche Cartoons: Lyrical Joie de vivre and the Surreal
La Fortune enchantee 90
4 Toward an Alternative Studio Structure 99
Paul Grimault and the Artist-Owned Animation Studio 100
Transitional Animation: From High Art to Made-for-TV 107
Toward a New Era of Micro-Studios: Laguionie and Laloux 114
5 French Animation's Renaissance 124
Le Cartoon Plan 124
Michel Ocelot's Alternative Mode of Production 127
Comic Book Aesthetics and Niche Studios 139
Contemporary French Animation: 2006 and Beyond 149
6 Conclusion: French Animation Today 162
References 171
Further Reading 178
Index 181