
Medieval Clothing and Textiles 9
Boydell Press
Published on 18. July 2013
Book
Hardback
182 pages
978-1-84383-856-2 (ISBN)
Description
The best new research on medieval clothing and textiles, drawing from a range of disciplines.
Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution.
Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century.
ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester.
Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl
Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution.
Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian community at Beaulieu Abbey based on its 1269-1270 account book, and the use of clothing as pledge or payment in medieval Ireland. In addition, there is a consideration of the history of dagged clothing and its negative significance to moralists, and of the painted hangings that were common in homes of all classes in the sixteenth century.
ROBIN NETHERTON is a professional editor and a researcher/lecturer on the interpretation of medieval European dress; GALE R. OWEN-CROCKER is Emerita Professor of Anglo-Saxon Culture at the University of Manchester.
Contributors: Antonietta Amati, Eva I. Andersson, John Block Friedman, Susan James, John Oldland, Lucia Sinisi, Mark Zumbuhl
Reviews / Votes
A well chosen selection of articles...continuing the high standard we have come to expect from this publication. * TEXT * The strength of this volume lies in how the articles draw together disparate scholars' work, presenting vignettes of research for wider consumption. * PARERGON * Essential reading not only for those interested in historic costumes and textiles but also for those with a wider interest in medieval history. * MEDIEVAL ARCHAEOLOGY *More details
Series
Language
English
Place of publication
Woodbridge
United Kingdom
Publishing group
Boydell & Brewer Ltd
Target group
Professional and scholarly
Product notice
Cloth over boards
Illustrations
7 s/w Abbildungen, 11 s/w Zeichnungen
7 b/w, 11 line illus.
Dimensions
Height: 240 mm
Width: 161 mm
Thickness: 15 mm
Weight
446 gr
ISBN-13
978-1-84383-856-2 (9781843838562)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Robin Netherton | Gale R. Owen-Crocker
Medieval Clothing and Textiles 9
E-Book
07/2013
1st Edition
De Gruyter
€48.99
Available for download
Persons
Robin Netherton is a costume historian specializing in Western European clothing of the Middle Ages and its interpretation by artists and historians. Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies.
Editor
Author
Contributions
Contributor
Contributor
Contributor
Contributor
Content
Preface
Bridal Gifts in Medieval Bari - Antonietta Amati Canta
The Marriage of the Year [1028] - Lucia Sinisi
Clothing as Currency in Pre-Norman Ireland? - Mark Zumbuehl
Cistercian Clothing and Its Production at Beaulieu Abbey, 1269-70 - John Oldland
Clothing and Textile Materials in Medieval Sweden and Norway - Eva I. Andersson
The Iconography of Dagged Clothing and Its Reception by Moralist Writers - John Block Friedman
Domestic Painted Cloths in Sixteenth-Century England: Imagery, Placement, and Ownership - Susan E. James
Recent Books of Interest
Contents of Previous Volumes
Bridal Gifts in Medieval Bari - Antonietta Amati Canta
The Marriage of the Year [1028] - Lucia Sinisi
Clothing as Currency in Pre-Norman Ireland? - Mark Zumbuehl
Cistercian Clothing and Its Production at Beaulieu Abbey, 1269-70 - John Oldland
Clothing and Textile Materials in Medieval Sweden and Norway - Eva I. Andersson
The Iconography of Dagged Clothing and Its Reception by Moralist Writers - John Block Friedman
Domestic Painted Cloths in Sixteenth-Century England: Imagery, Placement, and Ownership - Susan E. James
Recent Books of Interest
Contents of Previous Volumes