Medieval Clothing and Textiles 15
Published on 17. May 2019
Book
Hardback
215 pages
978-1-78327-412-3 (ISBN)
Description
The best new research on medieval clothing and textiles, drawing from a variety of angles and approaches.
The essays in this volume continue the Journal's tradition of groundbreaking interdisciplinary work. The volume opens with a survey of the discipline of medieval clothing and textiles, written by founding editor Gale R. Owen-Crocker. The range of the other essays extends chronologically from the early Middle Ages through the fifteenth century and covers a variety of disciplines. Topics include the conception of the author as a "wordweaver" in the literatures of Anglo-Saxon England; intertextual literary identities established through clothing in the Nibelungenlied and the Voelsunga Saga; the historical record of clothing and textiles at the court of King John of England; medallion silks, their use in Western Europe, and their representation in art; the vestments of Beguines and other penitential movements in the thirteenth and fourteenth centuries; and a depiction of heraldic textile weaving inlate-medieval art.
Contributors: Tina Anderlini, Joanne W. Anderson, Maren Clegg Hyer, Alejandra Concha Sahli, Gale R. Owen-Crocker, Elizabeth M. Swedo, Hugh Thomas
The essays in this volume continue the Journal's tradition of groundbreaking interdisciplinary work. The volume opens with a survey of the discipline of medieval clothing and textiles, written by founding editor Gale R. Owen-Crocker. The range of the other essays extends chronologically from the early Middle Ages through the fifteenth century and covers a variety of disciplines. Topics include the conception of the author as a "wordweaver" in the literatures of Anglo-Saxon England; intertextual literary identities established through clothing in the Nibelungenlied and the Voelsunga Saga; the historical record of clothing and textiles at the court of King John of England; medallion silks, their use in Western Europe, and their representation in art; the vestments of Beguines and other penitential movements in the thirteenth and fourteenth centuries; and a depiction of heraldic textile weaving inlate-medieval art.
Contributors: Tina Anderlini, Joanne W. Anderson, Maren Clegg Hyer, Alejandra Concha Sahli, Gale R. Owen-Crocker, Elizabeth M. Swedo, Hugh Thomas
Reviews / Votes
The seven articles in this issue exhibit the excellent scholarship for which the series is known. * PARERGON * The seven chapters provide eloquent and compelling testimony to the existence of a deeply embedded and vibrant fashion system throughout the Middle Ages. The breadth and precision of scholarship contained in this volume underscores the importance of the Medieval Clothing and Textiles project to all people working and interested in dress, irrespective of chronology. * JOURNAL OF DRESS HISTORY *More details
Series
Language
English
Place of publication
Woodbridge
United Kingdom
Publishing group
Boydell & Brewer Ltd
Target group
Professional and scholarly
Product notice
Cloth over boards
Illustrations
34 s/w Abbildungen, 4 farbige Abbildungen
4 colour. 34 b/w.
Dimensions
Height: 157 mm
Width: 236 mm
Thickness: 15 mm
Weight
499 gr
ISBN-13
978-1-78327-412-3 (9781783274123)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Robin Netherton | Gale R. Owen-Crocker | Monica L. Wright
Medieval Clothing and Textiles 15
E-Book
05/2019
1st Edition
De Gruyter
€48.99
Available for download
Persons
Robin Netherton is a costume historian specializing in Western European clothing of the Middle Ages and its interpretation by artists and historians. Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies. Monica L. Wright is the Granger and Debaillon Professor of French and Medieval Studies at the University of Louisiana at Lafayette, USA. Her research focuses on the use of clothing in medieval French literature. Gale R. Owen-Crocker is Professor Emerita of the University of Manchester where she was previously Professor of Anglo-Saxon Culture and Director of the Manchester Centre for Anglo-Saxon Studies. MAREN CLEGG HYER teaches at Snow College in Ephraim, Utah. She specializes in researching textiles and other elements of material culture in the literary imagery of early medieval England.
Content
Preface
Old Rags, New Responses: Medieval Dress and Textiles - Gale R. Owen-Crocker
Text/Textile: "Wordweaving" in the Literatures of Anglo-Saxon England - Maren Clegg Hyer
Unfolding Identities: The Intertextual Roles of Clothing in the Nibelungenlied and Voelsunga Saga - Elizabeth M. Swedo
Clothing and Textiles at the Court of King John of England, 1199-1216 - Hugh M Thomas
Dressing the Sacred: Medallion Silks and their Use in Western Medieval Europe - Tina Anderlini
Habit Envy: Extra-Religious Groups, Attire, and the Search for Legitimation Outside the Institutionalized Religious Orders - Alejandra Concha Sahli
The Loom, the Lady and her Family Chapels: Weaving Identity in Late Medieval Art - Joanne W. Anderson
Recent Books of Interest
Old Rags, New Responses: Medieval Dress and Textiles - Gale R. Owen-Crocker
Text/Textile: "Wordweaving" in the Literatures of Anglo-Saxon England - Maren Clegg Hyer
Unfolding Identities: The Intertextual Roles of Clothing in the Nibelungenlied and Voelsunga Saga - Elizabeth M. Swedo
Clothing and Textiles at the Court of King John of England, 1199-1216 - Hugh M Thomas
Dressing the Sacred: Medallion Silks and their Use in Western Medieval Europe - Tina Anderlini
Habit Envy: Extra-Religious Groups, Attire, and the Search for Legitimation Outside the Institutionalized Religious Orders - Alejandra Concha Sahli
The Loom, the Lady and her Family Chapels: Weaving Identity in Late Medieval Art - Joanne W. Anderson
Recent Books of Interest