
The Feldenkrais Method for Instrumentalists
A Guide to Awareness through Movement
Rowman & Littlefield Publishers
Published on 11. January 2024
Book
Paperback/Softback
220 pages
978-1-5381-8259-8 (ISBN)
Description
Every musician is an athlete. Athletes hone their bodies, coordinate their reflexes, and train their minds seeking to perfect a balance of strength, skills, and agility. Complicated, demanding, and repetitious movements often result in unnatural and difficult positions which put instrumentalists at risk of injury. However, when movement and task are coordinated well and freely, the athlete-instrumentalists find themselves in "the zone" or "the flow," a magical place where art and athleticism meet.
The Feldenkrais Method is a movement-based self-discovery process that aims for performance with minimum effort and maximum efficiency, thus reducing the chance of injury and even helping speed up recovery time from an injury. Samuel H. Nelson and Elizabeth L. Blades provide a guide to the Feldenkrais Method tailored specifically for instrumentalists. The book includes many "Awareness Through Movement" lessons and activities as well as case studies and examples specific to different instrument types.
The Feldenkrais Method is a movement-based self-discovery process that aims for performance with minimum effort and maximum efficiency, thus reducing the chance of injury and even helping speed up recovery time from an injury. Samuel H. Nelson and Elizabeth L. Blades provide a guide to the Feldenkrais Method tailored specifically for instrumentalists. The book includes many "Awareness Through Movement" lessons and activities as well as case studies and examples specific to different instrument types.
Reviews / Votes
No one knows more about how musician's bodies make music with ease and comfort than Nelson and Blades. This book constitutes several lifetimes of wisdom packed into a treasure trove of movement. My performing life was so much easier and richer using these techniques. -- Anne Rardin, orchestra director, Pasadena High School, American String Teachers Association Wellness Committee Nelson and Blades effectively describe Feldenkrais Method in simple language. Their book dives into key topics that will be of vital interest to musicians of all kinds. -- Geoffrey Burgess, Eastman School of Music, author of The Pathetick Musician: Moving an Audience in the Age of EloquenceMore details
Language
English
Place of publication
United States
Publishing group
Bloomsbury Publishing Plc
Target group
Professional and scholarly
Illustrations
28 BW Illustrations
Dimensions
Height: 254 mm
Width: 178 mm
Thickness: 12 mm
Weight
424 gr
ISBN-13
978-1-5381-8259-8 (9781538182598)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Samuel H. Nelson | Elizabeth L. Blades
The Feldenkrais Method for Instrumentalists
A Guide to Awareness Through Movement
E-Book
12/2023
1st Edition
Rowman & Littlefield Publishers
€33.49
Available for download

Samuel H. Nelson | Elizabeth L. Blades
The Feldenkrais Method for Instrumentalists
A Guide to Awareness Through Movement
E-Book
12/2023
1st Edition
Rowman & Littlefield Publishers
€33.49
Available for download
Persons
Samuel H. Nelson is a graduate of the Toronto Professional Feldenkrais Training Program (1987). He has offered Awareness Through Movement classes to the public since 1985. He held a seminar on the Feldenkrais Method each semester at the Eastman School of Music for many years and has presented seminars at music schools in Indiana, Ohio, and Virginia. Nelson also presented workshops for musicians at several area high schools, as well as for physical therapists and equestrians. He has a private practice in Rochester, New York.
Elizabeth Blades holds both doctor of Musical Arts and masters of Music degrees from the Eastman School of Music in Rochester, NY. She is currently adjunct associate professor of Music at Shenandoah University in Winchester, VA. Previous appointments were at Heidelberg University (Tiffin, OH) where she served as associate professor of Music, coordinator of Vocal Studies and director of Opera; and as a visiting professor of Music at Nazareth College, Rochester, NY.
Elizabeth Blades holds both doctor of Musical Arts and masters of Music degrees from the Eastman School of Music in Rochester, NY. She is currently adjunct associate professor of Music at Shenandoah University in Winchester, VA. Previous appointments were at Heidelberg University (Tiffin, OH) where she served as associate professor of Music, coordinator of Vocal Studies and director of Opera; and as a visiting professor of Music at Nazareth College, Rochester, NY.
Content
Title Page
Acknowledgements
Online Supplement
OverviewSelf Image and Kinesthetic ImaginationPhysics of Easy MovementNeuroplasticityThe Cost of Choice, Intention and, The Power of HabitThe Base of SupportPelvic PowerBreathingUpper Trunk FlexibilityShoulder Girdle and ArmsHead and NeckHands and MouthThe EyesBonus LessonsPerspectives from InstrumentalistsAppendix A: Functional IntegrationAppendix B: ATM Lessons and Areas of Major ImpactAbout the Authors
Acknowledgements
Online Supplement
OverviewSelf Image and Kinesthetic ImaginationPhysics of Easy MovementNeuroplasticityThe Cost of Choice, Intention and, The Power of HabitThe Base of SupportPelvic PowerBreathingUpper Trunk FlexibilityShoulder Girdle and ArmsHead and NeckHands and MouthThe EyesBonus LessonsPerspectives from InstrumentalistsAppendix A: Functional IntegrationAppendix B: ATM Lessons and Areas of Major ImpactAbout the Authors