
The Trembling Hand
Reflections of a Black Woman in the Romantic Archive
Mathelinda Nabugodi(Author)
Penguin Books Ltd (Publisher)
Will be published approx. on 23. July 2026
Book
Paperback/Softback
448 pages
978-0-241-99720-8 (ISBN)
Description
Bracing and essential, a radical reframing of British Romanticism through the lens of Black experience - for fans of David Olusoga, Gretchen Gerzina, Saidiya Hartman and Emma Dabiri
'A masterpiece about how history is made, written with power and ferocity' Boston Globe
Wordsworth, Shelley, Byron, Keats - the Romantic poets are titans of English literature, taught and celebrated around the world. Their writings are associated with the sublime power of nature and revolutionary politics. But these literary icons also lived through the climax of the transatlantic slave economy. They witnessed both the explosion of the abolition movement - and the reactionary formation of white supremacist ideologies.
The Trembling Hand examines how the lives and works of six major Romantic authors were entangled with the racial politics of their era. Mathelinda Nabugodi studies manuscripts and archival treasures - a teacup, a baby rattle, a lock of hair - to recover startling links between the poetry of freedom and the practices of slavery in the Romantic period.
'Urgent . . . One will never look at these poets in quite the same way' The New York Times
'Ambitious and ingenious, Mathelinda Nabugodi engages the reader in the quest to re-see, re-imagine and re-read the past' Colm Toibin
'A masterpiece about how history is made, written with power and ferocity' Boston Globe
Wordsworth, Shelley, Byron, Keats - the Romantic poets are titans of English literature, taught and celebrated around the world. Their writings are associated with the sublime power of nature and revolutionary politics. But these literary icons also lived through the climax of the transatlantic slave economy. They witnessed both the explosion of the abolition movement - and the reactionary formation of white supremacist ideologies.
The Trembling Hand examines how the lives and works of six major Romantic authors were entangled with the racial politics of their era. Mathelinda Nabugodi studies manuscripts and archival treasures - a teacup, a baby rattle, a lock of hair - to recover startling links between the poetry of freedom and the practices of slavery in the Romantic period.
'Urgent . . . One will never look at these poets in quite the same way' The New York Times
'Ambitious and ingenious, Mathelinda Nabugodi engages the reader in the quest to re-see, re-imagine and re-read the past' Colm Toibin
Reviews / Votes
Propelled by a voice that is urgent, exasperated and eager to share what it knows... Her account of Byron shows why she wrote this book, and also her ability to argue with herself, to dramatize her own doubts. That's a rare gift for any critic... [Her] passion, and [her] learning, ensure that one will never look at these poets in quite the same way * The New York Times * Powerful, revelatory... Mathelinda Nabugodi performs what she calls "an act of historical recovery," re-examining British Romanticism's beloved literary superstars through the debris they left behind... A masterpiece about how history is made, maintained, and remembered, while also including what history forgot - with trembling hands, she admits - and with power and ferocity * Boston Globe * Ambitious and ingenious, Mathelinda Nabugodi engages the reader both emotionally and intellectually in the quest to re-see, re-imagine and re-read the past. A voice sometimes tentative and searching, then sure of its scholarship, then puzzled by some large absence in the archive, then engrossed by a poem, an essay, a letter -- Colm Toibin, author of 'Long Island' An intimate and singular perspective on the Romantics-and race * Kirkus Reviews * "I want to tell you the story of my encounter with these objects," writes Mathelinda Nabugodi, entering the archive of the Romantic Epoch with a "trembling hand". Here, artifacts are examined or touched with granular, decolonial precision. Grounded in profoundly somatic knowing, the reality of her own body as a participant in these encounters, Nabugodi has written an extraordinary memoir (or anti-memoir) at the intersection of race and literary time. I can't recommend it enough -- Bhanu Kapil, author of TS Eliot Prize winner 'How to Wash a Heart' Mathelinda Nabugodi reveals the racial wounds behind the pristine face of British Romanticism. Her journey-part scholarly excavation, part personal pilgrimage-takes readers through abandoned archives and hallowed homes, where she confronts not just history but her own complex relationship with poets whose words shaped her life even as their era sought to erase people who looked like her... Nabugodi shows us how to hold two truths at once: beautiful craft and painful context, literary genius and racial violence. Her reckoning is a love letter written in disquiet, a map for those seeking the unvarnished truth of our literary inheritance, and a gift for anyone who values personal storytelling that illuminates our shared past -- Professor DJ Lee, author of 'Slavery and the Romantic Imagination' A viscerally bold, challenging and often uncomfortable study of our major British Romantic writers. Based on extensive archival research and highly sensitive to the lived experience of Black people, their real but often effaced or distorted presence in late eighteenth and early nineteenth-century Britain, this study will redefine our understanding of British Romanticism and its troubled relationship to slavery and colonial for years to come -- Peter Kitson, author of 'Romantic Literature, Race, and Colonial Encounter' The Trembling Hand offers a crucial corrective to the ways in which Romanticism has often been taught and positioned in British culture, confronting the aspects of Romanticism that have been hidden amidst the shared cultural project to make Coleridge, Wordsworth, Byron and the Shelleys into British national treasures. Nabugodi unearths new contexts for the study of Romanticism and also considers the ethical debates and dilemmas surrounding some of the most well-known poems in the period -- Dr Amelia Worsley, co-editor of 'Romanticism, Abolition and Anti-Slavery Literatures' With intellect, precision and empathy, Mathelinda Nabugodi speaks to the shadows hovering at the archive's edges, the presences that most have ignored. These presences are those Africans who travelled alongside Europeans, affecting - and creating - history. We needed Nabugodi's courage in writing this history: Now, we do see and we do hear - and may the ancestors be pleased -- Honoree Fanonne Jeffers, author of 'The Love Songs of W.E.B. DuBois' The Trembling Hand is erudite, discursive and enlightening, and I recommend it highly . . . Nabugodi's absorbing work centres on the writers' complicated relationship with slavery . . . wonderfully researched and deeply evocative . . . The Trembling Hand is the kind of detail-rich book I love to read -- Lesley KruegerMore details
Language
English
Place of publication
London
United Kingdom
Product notice
Paperback (UK-B)
Dimensions
Height: 198 mm
Width: 129 mm
Thickness: 15 mm
Weight
200 gr
ISBN-13
978-0-241-99720-8 (9780241997208)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

E-Book
07/2025
Penguin Books Ltd
€14.99
Available for download

Book
07/2025
Hamish Hamilton Ltd
€25.00
Available immediately
Person
Dr Mathelinda Nabugodi is a Lecturer in Comparative Literature at University College London. Previously she was a Leverhulme Trust Early Career Fellow in the Faculty of English at the University of Cambridge, where she researched the literary archive of Percy Bysshe Shelley, and a Research Associate in the Literary and Artistic Archive at the Fitzwilliam Museum.
She completed her doctorate at UCL, where she was the first person ever to be awarded a PhD in Creative Critical Writing by the university, for her thesis on Shelley and Walter Benjamin. She is the author of Shelley with Benjamin: A Critical Mosaic, and has edited Shelley's translations from Aeschylus, Calderon and Goethe for The Poems of Shelley, as well as the essay collection Thinking Through Relation: Encounters in Creative Critical Writing.
The Trembling Hand is her first trade book. Its research was partly funded by a Whiting Creative Non-fiction Grant.
She completed her doctorate at UCL, where she was the first person ever to be awarded a PhD in Creative Critical Writing by the university, for her thesis on Shelley and Walter Benjamin. She is the author of Shelley with Benjamin: A Critical Mosaic, and has edited Shelley's translations from Aeschylus, Calderon and Goethe for The Poems of Shelley, as well as the essay collection Thinking Through Relation: Encounters in Creative Critical Writing.
The Trembling Hand is her first trade book. Its research was partly funded by a Whiting Creative Non-fiction Grant.