
The Emergence of Cinema
The American Screen to 1907
Charles Musser(Author)
University of California Press
1st Edition
Will be published approx. on 4. May 1994
Book
Paperback/Softback
3 pages
978-0-520-08533-6 (ISBN)
Description
The origins of motion picture technologies are described and analyzed by Charles Musser in this lavishly illustrated volume. He considers social and economic as well as aesthetic aspects of the beginnings of movie making.
More details
Series
Edition
First Edition
Language
English
Place of publication
Berkerley
United States
Target group
College/higher education
Professional and scholarly
Product notice
Paperback (trade)
Dimensions
Height: 254 mm
Width: 178 mm
Thickness: 38 mm
Weight
1134 gr
ISBN-13
978-0-520-08533-6 (9780520085336)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Person
Charles Musser is Assistant Professor of American Studies and Film Studies at Yale University and author of Before the Nickelodeon (California, 1990).
Content
General Preface
Acknowledgments
Introduction
PART 1
Before Cinema
1 Toward a History of Screen Practice
2 Thomas Edison and the Amusement World
3 Projecting Motion Pictures: Invention and Innovation
PART 2
The Novelty of Cinema: 1896-1897
4 The Vitascope
5 Early Motion-Picture Companies
6 The Proliferation of Motion-Picture Companies and an Assessment
of the Novelty Year
PART 3
The Exhibitor Plays a Creative Role: 1897-1900
7 Full-Length Programs: Fights, Passion Plays, and Travel
8 Commercial Warfare and the Spanish American War: 1897-1898
9 The Film Industry Achieves Modest Stability: 1898-1901
PART 4
The Production Company Assumes Creative Dominance: 1900-1905
10 A Period of Commercial Crisis: 1900-1903
11 The Transition to Story Films: 1903-1904
12 Cinema Flourishes Within Its Existing Commercial Framework:
1904-1905
PART 5
The Beginnings of the Nickelodeon Era: 1905-1907
13 Nickels Count: Storefront Theaters: 1905-1907
14 Production as the Nickelodeon Era Begins: 1905-1907
Concluding Remarks
List of Abbreviations
Notes
Bibliography
Picture Sources
General Index
Index of Films
Acknowledgments
Introduction
PART 1
Before Cinema
1 Toward a History of Screen Practice
2 Thomas Edison and the Amusement World
3 Projecting Motion Pictures: Invention and Innovation
PART 2
The Novelty of Cinema: 1896-1897
4 The Vitascope
5 Early Motion-Picture Companies
6 The Proliferation of Motion-Picture Companies and an Assessment
of the Novelty Year
PART 3
The Exhibitor Plays a Creative Role: 1897-1900
7 Full-Length Programs: Fights, Passion Plays, and Travel
8 Commercial Warfare and the Spanish American War: 1897-1898
9 The Film Industry Achieves Modest Stability: 1898-1901
PART 4
The Production Company Assumes Creative Dominance: 1900-1905
10 A Period of Commercial Crisis: 1900-1903
11 The Transition to Story Films: 1903-1904
12 Cinema Flourishes Within Its Existing Commercial Framework:
1904-1905
PART 5
The Beginnings of the Nickelodeon Era: 1905-1907
13 Nickels Count: Storefront Theaters: 1905-1907
14 Production as the Nickelodeon Era Begins: 1905-1907
Concluding Remarks
List of Abbreviations
Notes
Bibliography
Picture Sources
General Index
Index of Films