
Visual Culture
Images and Interpretations
Wesleyan University Press
Published on 31. May 1994
Book
Paperback/Softback
461 pages
978-0-8195-6267-8 (ISBN)
Description
"We can no longer see, much less teach, transhistorical truths, timeless works of art, and unchanging critical criteria without a highly developed sense of irony about the grand narratives of the past," declare the editors, who also coedited Visual Theory: Painting and Interpretation (1990). The field of art history is not unique in finding itself challenged and enlarged by cultural debates over issues of class, ethnicity, nationality, sexual orientation, and gender. Visual Culture assembles some of the foremost scholars of cultural studies and art history to explore new critical approaches to a history of representation seen as something
different from a history of art.
CONTRIBUTORS: Andres Ross, Michael Ann Holly, Mieke Bal, David Summers, Constance Penley, Kaja Silverman, Ernst Van Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner.
different from a history of art.
CONTRIBUTORS: Andres Ross, Michael Ann Holly, Mieke Bal, David Summers, Constance Penley, Kaja Silverman, Ernst Van Alphen, Norman Bryson, Wolfgang Kemp, Whitney Davis, Thomas Crow, Keith Moxey, John Tagg, Lisa Tickner.
More details
Language
English
Place of publication
United States
Target group
College/higher education
Product notice
Paperback (trade)
Unsewn / adhesive bound
Illustrations
124 illus.
Dimensions
Height: 228 mm
Width: 153 mm
Thickness: 30 mm
Weight
730 gr
ISBN-13
978-0-8195-6267-8 (9780819562678)
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Schweitzer Classification
Persons
NORMAN BRYSON is Professor of Fine Arts at Harvard University and author of Looking at the Overlooked: Four Essays on Still Life Painting (1990).