
The Practice of Theory
Poststructuralism, Cultural Politics, and Art History
Keith Moxey(Author)
Cornell University Press
Published on 8. February 1994
Book
Hardback
208 pages
978-0-8014-2933-0 (ISBN)
Description
Many art historians regard poststructuralist theory with suspicion; some even see its focus on the political dimension of language as hostile to an authentic study of the past. Keith Moxey bridges the gap between historical and theoretical approaches with the provocative argument that we cannot have one without the other. "If art history is to take part in the processes of cultural transformation that characterize our society," he writes, "then its historical narratives must come to terms with the most powerful and influential theories that currently determine the way in which we conceive of ourselves."
After exploring how the insights offered by deconstruction and semiotics change our understanding of representation, ideology, and authorship, Moxey himself puts theory into practice. In a series of engaging essays accompanied by twenty-eight illustrations, he first examines the impact of cultural values on Erwin Panofsky's writings. Taking a fresh look at work by artists from Albrecht Duerer and Erhard Schoen to Barbara Kruger and Julian Schnabel, he then examines the process by which he generic boundaries between "high" and "low" art have helped to sustain class and gender differences. Making particular reference to the literature on Martin Schongauer, Moxey also considers the value of art history when it is reduced to artist's biography. Moxey's interpretation of the work of Hieronymus Bosch not only reassesses its intelligence and imagination, but also brings to light its pragmatic conformity to elite definitions of artistic "genius." With his compelling analysis of the politics of interpretation, Moxey draws attention to a vital aspect of the cultural importance of history.
After exploring how the insights offered by deconstruction and semiotics change our understanding of representation, ideology, and authorship, Moxey himself puts theory into practice. In a series of engaging essays accompanied by twenty-eight illustrations, he first examines the impact of cultural values on Erwin Panofsky's writings. Taking a fresh look at work by artists from Albrecht Duerer and Erhard Schoen to Barbara Kruger and Julian Schnabel, he then examines the process by which he generic boundaries between "high" and "low" art have helped to sustain class and gender differences. Making particular reference to the literature on Martin Schongauer, Moxey also considers the value of art history when it is reduced to artist's biography. Moxey's interpretation of the work of Hieronymus Bosch not only reassesses its intelligence and imagination, but also brings to light its pragmatic conformity to elite definitions of artistic "genius." With his compelling analysis of the politics of interpretation, Moxey draws attention to a vital aspect of the cultural importance of history.
More details
Language
English
Place of publication
Ithaca
United States
Target group
College/higher education
Professional and scholarly
Product notice
Paper over boards
Dimensions
Height: 235 mm
Width: 155 mm
Thickness: 18 mm
Weight
907 gr
ISBN-13
978-0-8014-2933-0 (9780801429330)
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Schweitzer Classification
Other editions
Additional editions

E-Book
07/2018
1st Edition
Cornell University Press
€162.99
Available for download
Person
Keith Moxey is the author of books including Peasants, Warriors, and Wives: Popular Imagery in the Reformation. He is Professor of Art History at Barnard College and Columbia University.