Almost Complete Poems
Published on 16. April 2019
Book
Paperback/Softback
624 pages
978-1-60980-921-8 (ISBN)
Description
WINNER OF THE 2016 NATIONAL JEWISH BOOK AWARD FOR POETRY
Moss is oceanic: his poems rise, crest, crash, and rise again like waves. His voice echoes the boom of the Old Testament, the fluty trill of Greek mythology, and the gongs of Chinese rituals as he writes about love, nature, war, oppression, and the miracle of language. He addresses the God of the Jews, of the Christians, and of the Muslims with awe and familiarity, and chants to lesser gods of his own invention. In every surprising poem, every song to life, beautiful life, Moss, by turns giddy and sorrowful, expresses a sacred sensuality and an earthy holiness. Or putting it another way: here is a mind operating in open air, unimpeded by fashion or forced thematic focus, profoundly catholic in perspective, at once accessible and erudite, inevitably compelling. All of which is to recommend Moss's ability to participate in and control thoroughly these poems while resisting the impulse to center himself in them. This differentiates his beautiful work from much contemporary breast-beating. Moss is an artist who embraces the possibilities of exultation, appreciation, reconciliation, of extreme tenderness. As such he lays down a commitment to a common, worldly morality toward which all beings gravitate.
Moss is oceanic: his poems rise, crest, crash, and rise again like waves. His voice echoes the boom of the Old Testament, the fluty trill of Greek mythology, and the gongs of Chinese rituals as he writes about love, nature, war, oppression, and the miracle of language. He addresses the God of the Jews, of the Christians, and of the Muslims with awe and familiarity, and chants to lesser gods of his own invention. In every surprising poem, every song to life, beautiful life, Moss, by turns giddy and sorrowful, expresses a sacred sensuality and an earthy holiness. Or putting it another way: here is a mind operating in open air, unimpeded by fashion or forced thematic focus, profoundly catholic in perspective, at once accessible and erudite, inevitably compelling. All of which is to recommend Moss's ability to participate in and control thoroughly these poems while resisting the impulse to center himself in them. This differentiates his beautiful work from much contemporary breast-beating. Moss is an artist who embraces the possibilities of exultation, appreciation, reconciliation, of extreme tenderness. As such he lays down a commitment to a common, worldly morality toward which all beings gravitate.
More details
Language
English
Place of publication
New York
United States
Product notice
Paperback (trade)
Unsewn / adhesive bound
Dimensions
Height: 233 mm
Width: 170 mm
Thickness: 39 mm
Weight
834 gr
ISBN-13
978-1-60980-921-8 (9781609809218)
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Person
STANLEY MOSS was born in 1925 in Woodhaven, NY. Age 17, he enlisted in the US Navy. He kicked around Trinity College and Yale University, worked as a counter-spy for Local 65, sang in a band, worked at New Directions, for Botteghe Oscure in Rome, taught in Rome and Barcelona, is an Old Master dealer specializing in Spanish and Italian paintings, many of which he has discovered. Self-taught in art history, he has sold pictures to the world's major museums. He is publisher and editor at the Sheep Meadow Press. He is published in The New Yorker, TLS, and other reviews in countries where the English language is read. He is translated into German by Hans Magnus Enzensberger, into Chinese by Fu Hao, and into Spanish by Valerie Mejer. There are other translations in the works. He lives mostly on a farm in Duchess County, NY, and is a notorious dog and donkey lover. He is married to the forgiving Jane.