Cassatt Reconsidered
Mary Morton(Author)
Getty Publications (Publisher)
Will be published approx. on 20. October 2026
Book
Hardback
208 pages
979-8-88712-050-8 (ISBN)
Description
Fiercely
ambitious and independent, Mary Cassatt defied expectations to become one of
the most radical artists of the Impressionist movement, though she was-and
remains-the least understood. Cassatt commanded and manipulated strains of
old master and contemporary painting to express her female subjectivity
through a brilliantly modern oeuvre on par with those of the most revered
Impressionists. However, mishandled by the Parisian art establishment during
her lifetime, and later by art historians and curators, she became known
almost exclusively as a sentimentalizing painter of mothers and
children.
How did this happen to the most aspiring,
revolutionary female artist of the late nineteenth and early twentieth
centuries? In Cassatt
Reconsidered, author Mary G. Morton probes this
central question and more, demonstrating how Cassatt disturbed conventional
ideals of femininity, childhood, and maternity, an uncompromising feat for
which she paid dearly during her lifetime and in the annals of art
historiography.
Vibrantly illustrated with more than 100
images, Cassatt
Reconsidered rewards readers with a fuller
understanding of an artist who stands apart for daring to express, on her own
terms, the unique, intimate experiences of modern women.
ambitious and independent, Mary Cassatt defied expectations to become one of
the most radical artists of the Impressionist movement, though she was-and
remains-the least understood. Cassatt commanded and manipulated strains of
old master and contemporary painting to express her female subjectivity
through a brilliantly modern oeuvre on par with those of the most revered
Impressionists. However, mishandled by the Parisian art establishment during
her lifetime, and later by art historians and curators, she became known
almost exclusively as a sentimentalizing painter of mothers and
children.
How did this happen to the most aspiring,
revolutionary female artist of the late nineteenth and early twentieth
centuries? In Cassatt
Reconsidered, author Mary G. Morton probes this
central question and more, demonstrating how Cassatt disturbed conventional
ideals of femininity, childhood, and maternity, an uncompromising feat for
which she paid dearly during her lifetime and in the annals of art
historiography.
Vibrantly illustrated with more than 100
images, Cassatt
Reconsidered rewards readers with a fuller
understanding of an artist who stands apart for daring to express, on her own
terms, the unique, intimate experiences of modern women.
Reviews / Votes
"Cassatt Reconsidered offersa thoughtful examination of Cassatt and her place among the radical French
artists of her time. Beautifully illustrated, the book sets forth both the
reasons for Cassatt's distinction as an artist, and the reasons for her long
absence from the canon. Author Mary G. Morton interrogates and celebrates
Cassatt's work in this book, which restores the artist to the place in art
history that she deserves-as experimental, pioneering and accomplished."-Roxana Robinson, author of Georgia O'Keeffe: A
Life
More details
Language
English
Place of publication
Los Angeles
United States
Publishing group
Getty Trust Publications
Product notice
sewn/stitched
Cloth over boards
Illustrations
105 color and 6 b/w illustrations
Dimensions
Height: 267 mm
Width: 191 mm
Weight
454 gr
ISBN-13
979-8-88712-050-8 (9798887120508)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Classification
Persons
Mary
G. Morton is curator and head of the French paintings
department at the National Gallery of Art in Washington, D.C. She is the
coauthor of Paris 1874 (2024). In 2018, the French
government awarded her the title Chevalier of the Order of Arts and
Letters.
Lauren Elkin is an
acclaimed American and French writer and translator. She is the award-winning
author of Art Monsters (2023) and
Flaneuse (2016), among other publications.
G. Morton is curator and head of the French paintings
department at the National Gallery of Art in Washington, D.C. She is the
coauthor of Paris 1874 (2024). In 2018, the French
government awarded her the title Chevalier of the Order of Arts and
Letters.
Lauren Elkin is an
acclaimed American and French writer and translator. She is the award-winning
author of Art Monsters (2023) and
Flaneuse (2016), among other publications.
Content
Foreword - Lauren Elkin
Introduction
Chapter 1: Durand-Ruel, "Inventor of Impressionism"
Chapter 2: Mary Cassatt, Realist
Chapter 3: Setting the Record Wrong
Chapter 4: Cassatt's Virile Hand
Chapter 5: Cassatt's Feminist Practice
Epilogue
Selected Bibliography
Illustration Credits
Index
Acknowledgments
Introduction
Chapter 1: Durand-Ruel, "Inventor of Impressionism"
Chapter 2: Mary Cassatt, Realist
Chapter 3: Setting the Record Wrong
Chapter 4: Cassatt's Virile Hand
Chapter 5: Cassatt's Feminist Practice
Epilogue
Selected Bibliography
Illustration Credits
Index
Acknowledgments