Historical Research, Creative Writing, and the Past
Methods of Knowing
1st Edition
Published on 12. July 2023
Book
Hardback
256 pages
978-1-032-18088-5 (ISBN)
Description
Although historical research undertaken in different disciplines often requires speculation and imagination, it remains relatively rare for scholars to foreground these processes explicitly as a knowing method. Historical Research, Creative Writing, and the Past brings together researchers in a wide array of disciplines, including literary studies and history, ethnography, design, film, and sound studies, who employ imagination, creativity, or fiction in their own historical scholarship or who analyze the use of imagination, creativity, or fiction to make historical claims by others. This volume is organized into four topical sections related to representations of the past-textual and conceptual approaches; material and emotional approaches; speculative and experiential approaches; and embodied methodologies-and covers a variety of temporal periods and geographical contexts. Reflecting on the methodological, theoretical, and ethical underpinnings of writing history creatively or speculatively, the essays situate themselves within current debates over epistemology and interdisciplinarity. They yield new insights into historical research methods, including archival investigations and source criticisms, while offering readers tangible examples of how to do history differently.
More details
Series
Language
English
Place of publication
London
United Kingdom
Publishing group
Taylor & Francis Ltd
Target group
College/higher education
Academic, Postgraduate, and Undergraduate Advanced
Illustrations
21 s/w Photographien bzw. Rasterbilder, 21 s/w Abbildungen
21 Halftones, black and white; 21 Illustrations, black and white
Dimensions
Height: 235 mm
Width: 157 mm
Thickness: 19 mm
Weight
543 gr
ISBN-13
978-1-032-18088-5 (9781032180885)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
Kevin A. Morrison | Paelvi Rantala
Historical Research, Creative Writing, and the Past
Methods of Knowing
Book
01/2025
1st Edition
Routledge
€63.50
Shipment within 10-20 days
Kevin A. Morrison | Paelvi Rantala
Historical Research, Creative Writing, and the Past
Methods of Knowing
E-Book
07/2023
1st Edition
Routledge
€57.99
Available for download
Kevin A. Morrison | Paelvi Rantala
Historical Research, Creative Writing, and the Past
Methods of Knowing
E-Book
07/2023
1st Edition
Routledge
€57.99
Available for download
Persons
Kevin A. Morrison is Provincial Chair Professor, University Distinguished Professor, and Professor of British Literature in the School of Foreign Languages at Henan University. He is the author of four monographs, including the MLA-award winning Victorian Liberalism and Material Culture: Synergies of Thought and Place, and, most recently, The Provincial Fiction of Mitford, Gaskell, and Eliot.
Paelvi Rantala is a Finnish researcher and nonfiction writer. She holds a docentship in cultural history at the University of Turku and works in the intersecting fields of history, sociology and cultural studies. Her research projects have combined arts, culture and social science as well as historical knowledge, and she currently works on the cultural history of sleeplessness.
Paelvi Rantala is a Finnish researcher and nonfiction writer. She holds a docentship in cultural history at the University of Turku and works in the intersecting fields of history, sociology and cultural studies. Her research projects have combined arts, culture and social science as well as historical knowledge, and she currently works on the cultural history of sleeplessness.
Content
Introduction: Methods of Knowing
Kevin A. Morrison and Paelvi Rantala
Section One: Textual and Conceptual Approaches
1. Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes
Alani Hicks-Bartlett
2. "The Machine for Showing Desire": Desert Romance Fiction and Knowing Sexual Desire
Catherine Phipps
3. Entwining Temporalities in Craig Williamson's The Complete Old English Poems
Elan Justice Pavlinich
Section Two: Material and Emotional Approaches
4. Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room
Kate Kramer
5. Scraps of History: Vernacular Archiving and Creative Composition
Ben Nadler
6. Tolkien, Cline, and the Quest for a Silmaril
Tom Ue and James Munday
Section Three: Experiential Approaches
7. Dreams, Historical Knowledge, and Death of a California Fisherwoman
Kevin A. Morrison
8. All Cops are Biased: Historiography as Detective Story
William G. Pooley
9. Sound Puppets: Using Sonic Nonfiction to Perform the Past
Diana Chester and Heidi Stalla
Section Four: Embodied Methodologies
10. Co-Imagining the History of a Village: Autoethnographer as Verbaliser of Experience-Based Knowledge
Jaana Kouri
11. My Writing Journey with the Webers
Paelvi Rantala
13. Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design
Grace Lees-Maffei
Kevin A. Morrison and Paelvi Rantala
Section One: Textual and Conceptual Approaches
1. Epic Posturing and Epic Entanglements: Historiography, Creative Inquiry, and the Writing of the Self in Boiardo, Montaigne, and Cervantes
Alani Hicks-Bartlett
2. "The Machine for Showing Desire": Desert Romance Fiction and Knowing Sexual Desire
Catherine Phipps
3. Entwining Temporalities in Craig Williamson's The Complete Old English Poems
Elan Justice Pavlinich
Section Two: Material and Emotional Approaches
4. Filling in the Blanks: An Open Door Invitation to a Nineteenth-Century American Period Room
Kate Kramer
5. Scraps of History: Vernacular Archiving and Creative Composition
Ben Nadler
6. Tolkien, Cline, and the Quest for a Silmaril
Tom Ue and James Munday
Section Three: Experiential Approaches
7. Dreams, Historical Knowledge, and Death of a California Fisherwoman
Kevin A. Morrison
8. All Cops are Biased: Historiography as Detective Story
William G. Pooley
9. Sound Puppets: Using Sonic Nonfiction to Perform the Past
Diana Chester and Heidi Stalla
Section Four: Embodied Methodologies
10. Co-Imagining the History of a Village: Autoethnographer as Verbaliser of Experience-Based Knowledge
Jaana Kouri
11. My Writing Journey with the Webers
Paelvi Rantala
13. Knowing Hands: Using Tactile Research Methods in Researching and Writing the History of Design
Grace Lees-Maffei