
Signs of Borges
Sylvia Molloy(Author)
Duke University Press
Published on 19. November 1993
Book
Paperback/Softback
160 pages
978-0-8223-1420-2 (ISBN)
Description
Available for the first time in English, Signs of Borges is widely regarded as the best single book on the work of Jorge Luis Borges. With a critical sensibility informed by Barthes, Lacan, Foucault, Blanchot, and the entire body of Borges scholarship, Sylvia Molloy explores the problem of meaning in Borges's work by remaining true to the uncanniness that is its foundation.
Borges's sustained practice of the uncanny gives rise in his texts to endless tensions between illusion and meaning, and to the competing desires for fragmentation, dispersal, and stability. Molloy traces the movement of Borges's own writing by repeatedly spanning the boundaries of genre and cutting across the conventional separations of narrative, lyric and essay, fact and fiction. Rather than seeking to resolve the tensions and conflicts, she preserves and develops them, thereby maintaining the potential of these texts to disturb. At the site of these tensions, Molloy locates the play between meaning and meaninglessness that occurs in Borges's texts. From this vantage point his strategies of deception, recourse to simulacra, inquisitorial urge to unsettle binarism, and distrust of the permanent--all that makes Borges Borges--are examined with unmatched skill and acuity.
Elegantly written and translated, Signs of Borges presents a remarkable and dynamic view of one of the most international and compelling writers of this century. It will be of great interest to all students of twentieth-century literature, particularly to students of Latin American literature.
Borges's sustained practice of the uncanny gives rise in his texts to endless tensions between illusion and meaning, and to the competing desires for fragmentation, dispersal, and stability. Molloy traces the movement of Borges's own writing by repeatedly spanning the boundaries of genre and cutting across the conventional separations of narrative, lyric and essay, fact and fiction. Rather than seeking to resolve the tensions and conflicts, she preserves and develops them, thereby maintaining the potential of these texts to disturb. At the site of these tensions, Molloy locates the play between meaning and meaninglessness that occurs in Borges's texts. From this vantage point his strategies of deception, recourse to simulacra, inquisitorial urge to unsettle binarism, and distrust of the permanent--all that makes Borges Borges--are examined with unmatched skill and acuity.
Elegantly written and translated, Signs of Borges presents a remarkable and dynamic view of one of the most international and compelling writers of this century. It will be of great interest to all students of twentieth-century literature, particularly to students of Latin American literature.
Reviews / Votes
"I can think of no other scholar of Latin American literature who enjoys and amply deserves the reputation of Sylvia Molloy. She is a brilliant reader and an elegant writer, the one scholar who makes Borges accessible without making him simple."-Doris Sommer, Amherst CollegeMore details
Series
Language
English
Place of publication
North Carolina
United States
Target group
College/higher education
Product notice
Paperback (trade)
Dimensions
Height: 228 mm
Width: 140 mm
Thickness: 12 mm
Weight
249 gr
ISBN-13
978-0-8223-1420-2 (9780822314202)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions

Molloy Sylvia Molloy
Signs of Borges
E-Book
11/1993
1st Edition
Duke University Press Books
€178.99
Available for download
Persons
Sylvia Molloy, Albert Schweitzer Professor of Humanities at New York University, is the author of numerous books of criticism, including At Face Value: Autobiographical Writing in Spanish America, and a novel, Certificate of Absence. Oscar Montero is Associate Professor of Romance Languages, Graduate Center, City University of New York.
Content
Preface ix
Introduction 1
1. Shadow Plays 5
2. Textual Rubrications 26
3. Fragments and Greeks 40
4. Postulating a Reality, Selecting a Reality 58
5. Converting the Simulacrum 77
6. Pleasure and Perplexity 95
7. The Buried Foundation 112
Abbreviations 131
Notes 133
Index 139
Introduction 1
1. Shadow Plays 5
2. Textual Rubrications 26
3. Fragments and Greeks 40
4. Postulating a Reality, Selecting a Reality 58
5. Converting the Simulacrum 77
6. Pleasure and Perplexity 95
7. The Buried Foundation 112
Abbreviations 131
Notes 133
Index 139