
Alchemist of the Avant-Garde
The Case of Marcel Duchamp
John F. Moffitt(Author)
State University of New York Press
Published on 5. June 2003
Book
Hardback
512 pages
978-0-7914-5709-2 (ISBN)
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Description
Acknowledged as the "Artist of the Century," Marcel Duchamp (1887-1968) left a legacy that dominates the art world to this day. Inventing the ironically degage attitude of "ready-made" art-making, Duchamp heralded the postmodern era and replaced Pablo Picasso as the role model for avant-garde artists. John F. Moffitt challenges commonly accepted interpretations of Duchamp's art and persona by showing that his mature art, after 1910, is largely drawn from the influence of the occult traditions. Moffitt demonstrates that the key to understanding the cryptic meaning of Duchamp's diverse artworks and writings is alchemy, the most pictorial of all the occult philosophies and sciences.
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Series
Language
English
Place of publication
Albany, NY
United States
Illustrations
Total Illustrations: 0
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 25 mm
Weight
227 gr
ISBN-13
978-0-7914-5709-2 (9780791457092)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
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E-Book
02/2012
1st Edition
De Gruyter
€33.99
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Person
John F. Moffitt is Professor Emeritus of Art History at New Mexico State University. He is the author of Spanish Painting; Occultism in Avant-Garde Art: The Case of Joseph Beuys; Velazquez, practica e idea: Estudios dispersos; Art Forgery: The Case of the Lady of Elche; The Arts in Spain; and Picturing Extraterrestrials: Alien Imagery in Modern Mass Culture. He is coauthor (with Santiago Sebastian) of O Brave New People: The European Invention of the American Indian.
Content
List of Illustrations
Introduction: Prosecuting the Duchamp Case
1. An Esoteric French Adolescence for Duchamp: Symbolist Culture and Occultism
2. The Invention of the Modern Alchemist-Artist
3. The Cultural Shaping of an Artist-Iconoclast: Duchamp in France, 1887?1915
4. Duchamp's First Experiments in Esoteric and Alchemical Art, 1910?1912
5. Duchamp in New York with Esoteric Patrons and the Large Glass, 1915?1923
6. Alchemical Emblematics and the Ready-Mades, 1913?1923
7. The Esoteric Fourth Dimension and Laws of Chance, 1895?1923
8. The Circle Closes, 1923?1968
Epilogue: The Prosecution Rests
Notes
Bibliography
Index
Introduction: Prosecuting the Duchamp Case
1. An Esoteric French Adolescence for Duchamp: Symbolist Culture and Occultism
2. The Invention of the Modern Alchemist-Artist
3. The Cultural Shaping of an Artist-Iconoclast: Duchamp in France, 1887?1915
4. Duchamp's First Experiments in Esoteric and Alchemical Art, 1910?1912
5. Duchamp in New York with Esoteric Patrons and the Large Glass, 1915?1923
6. Alchemical Emblematics and the Ready-Mades, 1913?1923
7. The Esoteric Fourth Dimension and Laws of Chance, 1895?1923
8. The Circle Closes, 1923?1968
Epilogue: The Prosecution Rests
Notes
Bibliography
Index