Derrida and Joyce
Texts and Contexts
Will be published approx. on 2. January 2014
Book
Paperback/Softback
332 pages
978-1-4384-4638-7 (ISBN)
Description
All of Derrida's texts on Joyce together under one cover in fresh, new translations, along with key essays covering the range of Derrida's engagement with Joyce's works.
Bringing together all of Jacques Derrida's writings on James Joyce, this volume includes the first complete translation of his book Ulysses Gramophone: Two Words for Joyce as well as the first translation of the essay "The Night Watch." In Ulysses Gramophone, Derrida provides some of his most thorough reflections on affirmation and the "yes," the signature, and the role of technological mediation in all of these areas. In "The Night Watch," Derrida pursues his ruminations on writing in an explicitly feminist direction, offering profound observations on the connection between writing and matricide. Accompanying these texts are nine essays by leading scholars from across the humanities addressing Derrida's treatments of Joyce throughout his work, and two remembrances of lectures devoted to Joyce that Derrida gave in 1982 and 1984. The volume concludes with photographs of Derrida from these two events.
Bringing together all of Jacques Derrida's writings on James Joyce, this volume includes the first complete translation of his book Ulysses Gramophone: Two Words for Joyce as well as the first translation of the essay "The Night Watch." In Ulysses Gramophone, Derrida provides some of his most thorough reflections on affirmation and the "yes," the signature, and the role of technological mediation in all of these areas. In "The Night Watch," Derrida pursues his ruminations on writing in an explicitly feminist direction, offering profound observations on the connection between writing and matricide. Accompanying these texts are nine essays by leading scholars from across the humanities addressing Derrida's treatments of Joyce throughout his work, and two remembrances of lectures devoted to Joyce that Derrida gave in 1982 and 1984. The volume concludes with photographs of Derrida from these two events.
More details
Series
Language
English
Place of publication
Albany, NY
United States
Target group
College/higher education
US School Grade: College Graduate Student and over
Product notice
Paperback (trade)
Illustrations
4 Illustrations, black and white
Dimensions
Height: 229 mm
Width: 152 mm
Thickness: 20 mm
Weight
540 gr
ISBN-13
978-1-4384-4638-7 (9781438446387)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Classification
Other editions
Additional editions
E-Book
05/2013
1st Edition
State University of New York Press
from
€88.99
Available for download
Persons
Andrew J. Mitchell is Assistant Professor of Philosophy at Emory University. He is the author of Heidegger Among the Sculptors: Body, Space, and the Art of Dwelling. Sam Slote is Assistant Professor of English at Trinity College Dublin. He is the author of The Silence in Progress of Dante, Mallarme and Joyce and coeditor (with Luca Crispi) of How Joyce Wrote Finnegans Wake: A Chapter-by-Chapter Genetic Guide.
Content
List of Photographs
Acknowledgments
Key to Abbreviations
Note on the Translations
Introduction: Derrida and Joyce: On Totality and Equivocation
Andrew J. Mitchell and Sam Slote
Part I. Texts by Jacques Derrida
Ulysses Gramophone: Two Words for Joyce
Yes, Laughter translated by Francois Raffoul
Circumstances translated by Francois Raffoul
Two Words for Joyce translated by Geoffrey Bennington
Ulysses Gramophone: Hear Say Yes in Joyce translated by Francois Raffoul
The Night Watch
translated by Pascale-Anne Brault and Michael Naas
Part II. Returns
1. Joyce-Event-Derrida-Event-Joyce
Jed Deppman
2. Joyce's Resonance in Glas
Sam Slote
3. Meaning Postponed: The Post Card and Finnegans Wake
Andrew J. Mitchell
4. The Mother, of All the Phantasms...
Michael Naas
5. Matricidal Writing: Philosophy's Endgame
Christine van Boheemen-Saaf
Part III. Departures
6. Sero-Positives: Belatedness and Affirmation in Joyce, Cixous, and Derrida
Laurent Milesi
7. JJ, JD, TV
Louis Armand
8. "mememormee": Notes on Derrida's Re-Markings of Desire and Memory in Joyce
Alan Roughley
9. Of Chrematology: Joyce and Money
Simon Critchley and Tom McCarthy
Part IV. Recollections
10. Signature/Countersignature: Derrida's Response to Ulysses
Derek Attridge
11. Two Joyces for Derrida
Jean-Michel Rabate
Selection of Photographs
Contributors
Index
Acknowledgments
Key to Abbreviations
Note on the Translations
Introduction: Derrida and Joyce: On Totality and Equivocation
Andrew J. Mitchell and Sam Slote
Part I. Texts by Jacques Derrida
Ulysses Gramophone: Two Words for Joyce
Yes, Laughter translated by Francois Raffoul
Circumstances translated by Francois Raffoul
Two Words for Joyce translated by Geoffrey Bennington
Ulysses Gramophone: Hear Say Yes in Joyce translated by Francois Raffoul
The Night Watch
translated by Pascale-Anne Brault and Michael Naas
Part II. Returns
1. Joyce-Event-Derrida-Event-Joyce
Jed Deppman
2. Joyce's Resonance in Glas
Sam Slote
3. Meaning Postponed: The Post Card and Finnegans Wake
Andrew J. Mitchell
4. The Mother, of All the Phantasms...
Michael Naas
5. Matricidal Writing: Philosophy's Endgame
Christine van Boheemen-Saaf
Part III. Departures
6. Sero-Positives: Belatedness and Affirmation in Joyce, Cixous, and Derrida
Laurent Milesi
7. JJ, JD, TV
Louis Armand
8. "mememormee": Notes on Derrida's Re-Markings of Desire and Memory in Joyce
Alan Roughley
9. Of Chrematology: Joyce and Money
Simon Critchley and Tom McCarthy
Part IV. Recollections
10. Signature/Countersignature: Derrida's Response to Ulysses
Derek Attridge
11. Two Joyces for Derrida
Jean-Michel Rabate
Selection of Photographs
Contributors
Index